Creamfields is an annual electronic music festival which is held all over the world. The original was in England, and organized by the owners of the Cream nightclub. The event has grown and Creamfields festivals have been held in more than a dozen countries, but the one in Buenos Aires is one of the most successful in the world. The year, the 2010 festival was held on November 13th, and I was there.
(Click on any photos here to see them in higher resolution)
Creamfields Buenos Aires has been plagued by bad weather for its history. It has rained just about every year since the festival started in 2001, but this year was an exception. Saturday was hot and sunny, 27 degrees Celsius (remember that winter in the northern hemisphere is summer in South America). Organizers reported that it was going to be the biggest attendance in the event's history, with between seventy and a hundred thousand people.
With five stages, and more than sixty DJ's, it it impossible to see everyone. Some tough choices had to be made. I'll give some feedback on the sets that I did manage to see in a minute, but to put things in context, some of the world-class DJ's that I did NOT have time to see included Steve Lawler, Nick Warren, Calvin Harris, Laidback Luke, Mark Knight, and Marco Carola. Tragic.
The first set that I saw was
Bad Boy Orange. To be honest, I'd never heard of him. At first I wondered if this was Bad Boy Bill and he had changed his name, because I think Bill's favorite color is orange. But it wasn't, it was a drum & bass DJ from Buenos Aires. He played an interesting set, switching between a lot of different styles.
Next up was
Paul Kalkbrenner. Anyone who has seen the German film "Berlin Calling" would recognize him as the lead actor in the movie, which is a story about a DJ/producer. I've featured one of his tracks from the movie, "Sand & Sky," in my radio show (his brother was the vocalist). He didn't look like he was having a very good time during his set due to technical problems. The bass was very distorted at the start of the set, until the sound engineers got it figured out, and then at the end, the music just died halfway through his last track. It looked like he walked off the stage in frustration. But aside from those problems, which certainly didn't appear to be his fault, it was a good set. Very appropriate programming considering the slot he was playing - he didn't try to play aggressively, and it was a good warmup for sets to come. Basically, he played a slower progressive/tech house set.
Next up was
Paul van Dyk, with a hard, pounding trance set. PVD started at 10pm, so it was pretty early in the night still, but the festival was getting pretty full by now. It's the first time that I've been right in the middle of a dance floor of probably fifteen thousand people, and it was pretty insane. Not the place for someone with claustrophobia. I think of all the DJ's that I saw, van Dyk was the one who did the best at turning a dance floor into a "living organism," which isn't surprising since trance music is the best genre for really working with breakdowns that people can anticipate.
On to
Richie Hawtin. Hawtin is a techno DJ, and as such, his notoriety within Canada is a lot lower than it is outside of Canada. Unless you know electronic music well, you probably haven't even heard of him, even if you're Canadian. But outside of Canada, I would assume that he is Canada's second best-known DJ after Deadmau5, even more recognized than people like Max Graham and John Acquaviva. The amount of touring that he does is just incredible. Hawtin has used dozens of aliases in his production over the years, and one of the most common of those was
Plastikman. His set at Creamfields was under the Plastikman monikor. He plays a dirty, minimal techno, with absolutely no vocals of course. There is a lot of interaction between his music and a visual show. This was one of my favorite parts of the festival. Technically speaking, it was unquestionably one of the best sets of the entire festival. Unfortunately, I couldn't stay for the entire thing because I was trying to catch so many different DJ's, but it was pretty tough to walk away before he finished. Incidentally, I mentioned Max Graham a minute ago. The Argentinians really enjoy electronic music. Max Graham was playing in Buenos Aires on the same night as the festival, although he was in the city, at Crobar.
Next, I went over to the Cream Arena stage, where I caught the last fifteen minutes of
Hernan Cattaneo. He's actually from Buenos Aires, and of course is incredibly popular in Argentina. He was playing a good progressive house style. I wish I could have seen a lot more of his set. Immediately after Cattaneo was
Sasha. I didn't really want to stay for Sasha's set (even though he is one of my favorite DJ's) because I'd seen him before, but he was another one that was hard to walk away from.
Faithless was playing on the main stage by this point, so I wandered over there. That set didn't really excite me. They have great music, but it's hard to translate electronic music to a live performance of that music (as opposed to DJ'ing with the original recordings). Also, something appeared to have gone wrong, because they finished their set a lot earlier than the schedule indicated, and ended with an apology for circumstances beyond their control. I'm not sure what happened. Great production team though.
I popped over to the Arena One stage next and caught a few minutes of
Steve Angello. Sort of a progressive house style, but definitely closer to traditional house and more mainstream than Cattaneo or Sasha. I had no time budgeted to hear more of his set, so I moved on quickly.
David Guetta was next, on the main stage. Here is where I saw the most interesting phenomena of the entire festival. When Guetta got onto stage, he called out on the microphone and it rang out across most of the fesitval grounds. The main stage was sort of an open stage, whereas the other four were more enclosed. Anyway, when he hollered out on the microphone, about twenty thousand people from all over the festival grounds just suddenly turned and rushed to the main stage. It was almost like Guetta had announced they were giving out bags of money. Anyway, I saw him in Montreal a few years ago, and it was ok but not outstanding. I have a ton of respect for him as a producer, he's obviously one of the very best in the world for the mainstream style he specializes in. But his strength is as a producer, not as a technical DJ (although my bet is that he'll definitely beat out Tiesto and maybe Armin van Buuren in the DJ Mag top 100 rankings next year). He started his set with "Getting Over You," then a track that I didn't recognize, then "Club Can't Handle Me," then "Like a G6." At this point I left, since those are all mainstream club tracks that I can hear anywhere.
Dubfire was my next destination. Dubfire (one half of the well-known Deep Dish duo) focuses on techno when he works alone, whereas Deep Dish focuses on progressive house. I would have to say that this was my favorite set of the night. The interesting thing is that there were no outstanding tracks that he played. Just a generic & smooth, almost exclusively non-vocal performance. It was great for the dancers though, because it was a technically superior set, with no real significant distractions. It had a great rolling flow to it. Also, Dubfire was playing in the Cocoon Arena, which was the smallest stage by far, so there were only a few hundred people in it and there was lots of room to dance. I stayed for almost his entire set.
After Dubfire, I actually came back to the main stage and saw the end of Guetta's set, which was interesting. He played a track that he said he had just finished on the plane that afternoon, and which nobody had ever heard before. He said that he was having so much fun at the party that he was going to call it "Argentina" when it's released. It sounded more like a Swedish House Mafia track than a traditional Guetta track, but I'm sure it will be pretty well known soon. You can hear it on YouTube already (there were thousands of cameras and mobile phones taking photos and videos). BTW, good to see Guetta on Twitter calling Creamfields BA the "best party on the planet."
Carl Cox was playing in the Delta Arena by this point. So I went to check it out. If I had to pick three DJ's "must see" DJ's that I hadn't seen before, Carl Cox would definitely be on that short list (along with Danny Tenaglia & John Digweed). However, I knew that I wasn't going to be able to see very much of his set at Creamfields without missing out on other things, so I made a conscious sacrifice and figured that I'd only watch him for about fifteen minutes, and plan to go see him specifically somewhere else in the future, where I could enjoy his show better. In the short time I saw him, he was on the microphone a couple times - his usual style, to get the crowd worked up.
By this point, it was past 4am, and I went back to the main stage. I wanted to see the closing act on pretty much every stage, but I knew it wasn't possible, so I figured to end the festival by catching
Fatboy Slim's entire set (assuming that I liked the start of it). It seemed that about fifty thousand other people had the same plan. I wasn't disappointed, his set was another favorite of the weekend. He started out with about thirty seconds of his "Star 69" track then thirty seconds of "Praise You," and then started getting into full songs (he came back to each of those initial tracks near the end of his set, in their entirety). Fatboy Slim has had a lot of really well-known tracks, and they're all pretty vocal, mainstream tracks. I think he covered all of them in his set. He appeared to be playing on vinyl, which was interesting, because I'm not sure how he synced the videos to the music. His set had a pretty intense video component on all the big screens, with both computer generated graphical sections, and conventional footage (such as Harvey Keitel floating around from the "Weapon Of Choice" video). Anyway, it was another really strong set, and would have definitely appealed even to people who don't listen to electronic music.
So all in all, I'd go with Richie Hawtin, Dubfire, and Fatboy Slim as my favorite sets of the festival.
Some of the things that I really liked about the festival:
- The security was really, really good. They weren't intimidating or hassling people, but they were paying a lot of attention to keeping the lineups from turning into crushes. They would let groups of people into waiting areas rather than open access, so there was no pushing or shoving anywhere.
- Sound quality was pretty good everywhere. There was a big node in the front and center of the main stage where the trebles and mids were pretty minimal, so it was very bassy, but overall each stage had great sound.
- Aside from Paul Kalkbrenner and Fatboy Slim starting each of their sets with a teaser of a song that they played again later in their sets, there was not a single song that I heard twice throughout the entire night.
Room for improvement:
- There were no garbage cans! None! Argentina has no recycling program, so unbelievable amounts of plastic are just going to the landfills. So sad. Everybody just threw all of their empty bottles and hamburger wrappers and drink cups on the ground when they were done. By the end of the night, everyone was wading through a sea of trash. Apparently, this is normal for Argentina, and people just come in afterward and clean up the entire park, but I just couldn't feel comfortable about throwing trash or recyclables onto the ground. Some NGO's really need to go to South America and change the culture there with respect to recycling. Also, it was hard to dance with drink cups everywhere.
- The only real food was hamburgers. There were half a dozen hamburger stands throughout the festival grounds, but only one stand that sold pizzas. Not good for the vegetarians.
All in all, it was an eye-opening experience. The festival grounds were pretty far from where I was staying, and it took a lot of walking plus a few buses and trains to get home (three hours). But despite that, I'd love to go again next year!
I'm Jonathan Clark, known online as DJ Bolivia. Do you want to learn more about DJ'ing and music production? If so, visit:
If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:
Thanks so much for visit, and for your support! I really appreciate the fan base that I've been able to build up over the years.
Also, if you want to visit any of my other sites, here are a few links:
