Showing posts with label festival. Show all posts
Showing posts with label festival. Show all posts

Sunday, March 8, 2020

Cancellation of 2020 Ultra Music Festival

It's been interesting over the last few days to watch the reaction to the cancellation of the Ultra Music festival in Miami.  The cancellation was due to the coronavirus, and it was big news since it was one of the leading music events to proactively cancel this year's show.  With 170,000 attendees last year, it's a pretty major event.  The festival was supposed to take place on March 20th through 22nd inclusive, to coincide with Miami Music Week, and was cancelled on March 5th.  Actually, I should clarify, the festival was "postponed" for a year, so the same DJ's that were scheduled for this year will play next year, and peoples' tickets for this year will be honoured next year.

Most of the reaction on social media was one of unhappiness from DJ's and from attendees.  As a DJ, and someone who enjoys attending music festivals, I understand that.





I also have a fascination with studying infectious diseases.  I think that really started around fifteen years ago when I first read a book called The Great Influenza by John Barry.  That book piqued my interest, and although I'm not a medical professional, I started to read more about disease outbreaks.  There are dozens of books available about this subject, and I've probably read them all.

First of all, here are a few basic facts that people should be aware of before I continue this post:
1.  The virus and the disease that it causes have two different names.  Most people refer to this as the "coronavirus" outbreak, but that's not really the most accurate term, since coronaviruses are a group of viruses, and the one we're having a problem with now is a specific type.
2.  The current virus is called SARS-CoV-2.
3.  The disease that it causes is called COVID-19.
4.  The effects of the disease can be fairly similar to influenza.  However, COVID-19 is not the same as influenza.
5.  Handwashing and social distancing are great precautions to help prevent the spread of COVID-19.

When the cancellation was announced, the main reasons why people were upset included:
- The epidemic had not yet hit Florida.  At the time, only one case had been identified anywhere in Florida, and it wasn't in Miami.
- Many people who contract COVID-19 experience the same symptoms as a cold or flu.  The mortality rate is low, especially for the demographic of most festival attendees (young adults).
- Influenza already kills tens of thousands of people each year in the US, and festivals aren't cancelled due to influenza.
- People already have travel booked.  Those people will still end up going to Miami to party, rather than wasting their flights.  The parties will just be more spread out.
- Disneyworld often gets more than 100,000 visitors per DAY to their four theme parks, and they aren't closed.


To be honest, these are all valid arguments!  But speaking as someone with a hopefully unbiased look at the situation (since I wasn't going to this year's festival), let me make some suggestions about each of these five arguments, and why I think the festival organizers did the right thing (even if it was the city that forced them to cancel).

1.  "The epidemic had not yet hit Florida."  Agreed.  At the time of closure, the number of confirmed cases in the US was so low that only about 1 in every four million people were confirmed to have contracted COVID-19.  However, I've studied infection rates of various diseases for years (which is irrelevant).  More importantly, qualified medical professionals and infectious disease specialists have done the same thing.  The potential for explosive spread of COVID-19 is quite high.  I think in a few weeks, once we reach the period during which the festival was supposed to take place, there will be hundreds or even thousands of confirmed cases in Florida.  At that point, people will look back and admit that the decision to cancel was wise.  Already, in the 3 days since the cancellation, Florida is up to 14 cases.  Although the infection rate could slow down, this also has the potential to explode.  Here's a good website to monitor:
https://www.nytimes.com/interactive/2020/us/coronavirus-us-cases.html
Edit, March 21st:  The Festival would be taking place right now if it had not been cancelled.  And yes, there are over a thousand confirmed cases in Florida.  Considering the difficulties in getting people tested, there are probably more than ten thousand actual cases.

2.  "The disease is not much different than a bad cold or flu."  Agreed, for some people.  However, this isn't entirely correct.  Worst-case reports in some regions indicate that as many as 20% of people "require" hospitalization.  So there are a lot of salient points arising from that.  First, even if that number is highly exaggerated, a large scale infection will completely overwhelm medical facilities in even the most advanced health-care systems.  This means that some people in critical condition who really need advanced medical care will die, due to lack of resources.  Although data is incomplete, there are indications that the mortality rate of people under the age of 50 is probably quite "low" at only around 1%.  However, in a worst-case scenario, 60% of the population could eventually get this.  Actuaries would point out that if 60% of 170,000 people come down with COVID-19, and the mortality rate is 1%, that means that about a thousand attendees would die.  That's a number that is unlikely, but it's not impossible, and shouldn't be ignored.  Although young people in excellent physical condition are at lower risk than the general population, some people in their 20's and 30's are dying.

3.  "Influenza already kills tens of thousands of people each year, and festivals aren't getting cancelled."  Agreed.  I don't think a lot of people realize the true global impact of influenza, which killed an estimated 34,000 people in the US in 2019 (plus half a million hospitalizations).

4.  "People already have their travel booked, and will still go to Miami to party."  I agree.  Cancellation will not mean that nobody shows up, and nobody expected that would be the case.  However, cancellation of the festival does mean that LESS people will show up.  It also means that people will be more spread out, and thus any community transmission will be reduced.  It may not be possible to avoid an outbreak, but it's possible to reduce the size of the outbreak, and that will help everyone in the long run.

5.  "Why isn't Disney World closed too, since they get as many attendees?"  Rather than using Disney World as a justification for why Ultra should have been allowed to proceed, perhaps Ultra should be used as an example of why Disney World will have to consider closing.  It would not surprise me if Disney World was closed by the time Ultra was supposed to take place.  And if it's not officially closed, I am pretty confident in saying that if the spread of the infection continues on the trajectory that I expect, Disney World will become a ghost town anyway as people voluntary avoid crowds.  Since Ultra was cancelled, SXSW was also cancelled.  I'd expect cancellations in the next few months from a number of other festivals, such as Coachella, Electric Daisy, the Governer's Ball, and more, if the outbreak continues on its current trajectory.  And what about the Olympics?
Edit, March 10th:  Coachella is now affected.
Edit, March 20th:  Pretty much everything (except the Olympics) is now closed or cancelled.  And the Olympics will probably be cancelled within days.  Countries are being locked down, and those that haven't been, should be.

Ultimately, this isn't about a single event.  This is about trying to proactively limit the spread of a significant infection, before it gets out of control.  It isn't about stopping an infection; it's about trying to slow it down to give the health care sector time to mount a better defense.  Will it be possible to have vaccines for SARS-CoV-2 soon?  Maybe eventually, say in about 12-16 months time.  Massive resources around the world are being thrown at this goal.

In a major epidemic, the first goal is containment.  That genie may be out of the bottle soon, as we're starting to see evidence of "community transmission," which means that people are getting it from sources that can't be traced.  That's not good.

Ultimately, I think that our best hope is to slow down the epidemic.  Eventually, there's a good chance that many of us will get COVID-19.  Diseases are a part of our natural lives.  If we can slow down the epidemic, our health-care systems are less likely to be overrun, which means that the cases in critical condition are more likely to get the resources that they need to survive.

The United States in particular has what is considered to be a world-class healthcare system, but when you're not a US citizen and you can look at it from the outside (as I can), it's easy to see the flaws.  The US is the only major country in the entire world without free and universal health care.  In this day and age, that's unbelievable.


I'll leave you with three thoughts:

1.  Social distancing has proven to work, repeatedly, in this and previous epidemics for many different diseases.  As COVID-19 cases become more prevalent around the world, expect more voluntary and forced social distancing.  Governments in various countries will try to implement various degrees of distancing, including various types of travel restrictions, quarantines, and lockdowns.  This may seem unlikely, but trust me, you should expect this.

2.  The best thing that we can do individually to help minimize the spread of SAR-CoV-2 is to practice basic sanitary measures, including frequent handwashing, and avoiding contact with others if you're starting to get sick.

3.  In the US, where there is no free and universal health care, many potential cases are not getting tested for two reasons:  ineffective leadership, and because testing isn't free for many people.  The number of cases is therefore probably being heavily under-reported.  The US currently has the highest fatality rate of all major case clusters (countries with 100+ cases), at almost 5%.  But this is most likely due to one of two factors:  (1) either under-testing means that there are more cases than anyone knows about and therefore that mortality rate is currently artificially high, so the real rate is lower; or (2) more people are dying in the US than elsewhere because there is no free and universal health care, therefore many victims can't afford proper medical treatment.






I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Wednesday, September 18, 2019

Live at Mount Funky Music Festival

A few weeks ago, I played a set at the Mount Funky Music Festival in Nova Scotia.  This is the seventh year that the festival has been hosted, but the first time that I had been able to play or even attend.

It has been a while since I've accepted a request to play a set.  I was hesitant to accept this gig too, especially since I only found out about it 72 hours before the show, and since I was in British Columbia at the time.  For those of you who aren't familiar with Canadian geography, Nova Scotia and British Columbia are pretty far apart (about 5000 kilometers), as they're located on opposite coasts.  However, I had a short three-day gap in my schedule, so I decided to put in an appearance.  And I was really glad that I did!

Incidentally, the reason that I've been pretty low-key on the DJ scene and YouTube production scene for a few years is because I've gotten even more heavily involved in reforestation than I was even just a few years ago.  For instance, last winter, I released three planting-related books on Amazon, which you can find if you want to visit my new author website:


Also, I've recently started another reforestation company, but instead of focusing on post-harvest industrial scale reforestation that is mandated by government policy, this one will rely on the generosity of global sponsors who donate money to have trees planted solely because it's good for our planet.  Check out this website if you're interested:



Anyway, back to the music.  Unfortunately, the stage wasn't recording all the DJ sets that night, and I forgot to bring a personal audio recorder.  So I'm not able to share a recording of my set.  However, for those of you who were interested, here's a set list:

01.  Frank Kid - Happy Funker (Original Mix).
02.  Enrico Sangiuliano - X Pollination (Original).
03.  Adam Beyer & Mark Reeve - Nine Of You (Original).
04.  Shake Inc. - Reaktor (Alex Senna).
05.  Diego Lima - MadaFuckers (Original).
06.  Phonista - Union Square (Original).
07.  Christian Smith - Blast Off (Victor Ruiz).
08.  Umek - Incinerator (Original).
09.  Umek - Mechanical Blade (Original).
10.  Hoxton Whores - Stand Myself (Kevin Andrews Remix).
11.  Hoxton Whores - Welcome To The Whorehouse (Hoxton Whores Burlesque Club Mix).
12.  Jay Lumen - Warehouse Trip (Original).
13.  Jhony Rivers - Zerotonin (German Agger Remix).
14.  Vic Ben - Return (Djahir Miranda Remix).
15.  Alberto Ruiz - Room (Original).
16.  Urban Francis & Bolivia - Hijack (Original).
17.  DJ PP - Has To Be Done (Handzoff Remix).
18.  Clark Fable - Midnight Marauder (Milo Zanneti Remix).
19.  Olivier Giacomotto - Bipolar Star (Victor Ruiz Remix).
20.  Rydel - Beat The Men (Original Mix).

Incidentally, here's a video for Hijack, a track that I did with Urban Francis, which I played in the middle of the set.




Anyway, the festival was a great time, and I was really glad to be back DJ'ing again.



I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Monday, April 4, 2011

Mix: Bolivia, "Live at the Evolve Festival, 2004-08-28"

This is actually an older mix that I'm posting today. It's already been online on my website for several years, and the only reason I'm posting it again right now is because I've had a couple requests recently from people who have said that it's one of the best sets that I've ever played, and I should feature it again. I don't entirely agree that it's one of my best, but I definitely enjoy listening to it now and again.

 



Unlike some shows, I remember this set extremely well. The one thing that really stood out for me was that it was the first time I saw Sonny D (a DJ/producer and friend of mine) dancing to a set. Now this is not actually that strange, but for some reason, a lot of DJ's tend to hang out more backstage and listen to the music and judge the technical mixing skills, instead of just getting out on the dance floor and really enjoying the show. So I was pretty happy to have Sonny dancing during my set - I took that as quite a compliment. By the way, for anyone who is in Halifax on April 23rd of this month, Sonny is opening for Tiesto at the Cunard Center.


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


Here are track listings for this set:

01. Seragaki, "Ryukyu Underground." [Sunrise Mix]. Written and produced by Jon Taylor & Keith Gordon. Licensed courtesy Respect Records, Japan. Copyright 2004, Baroque Records Ltd.
02. DJ Debra, "Damage." Produced, arranged, and mixed by DJ Debra and Jaimy. Mixed by Jaimy and Kenny D. Written and composed by D. Hempel & K. Doekhie. Recorded at Soundshapes Studio WEESP.
03. DJ Nukem, "Music Play." Nubreed.
04. Hiratzka & Kazell, "In Your Eyes." [Original Mix]. Written and produced by Mike Hiratzka and Kevin Bazell. Vocals by Shirli MCallen. Mix engineered by Mike Hiratzka. Recorded at Paradise In The Hood, Venice, CA. Copyright 2004 Alternative Route Recordings Limited.
05. Tone Depth & Soul Tan feat. Stephanie Vezina, "Broken." [G. Pal Safe Haven Mix]. Written and produced by Tony Papadopoulos & Sultan. Vocals written & performed by Stephanie Vezina. Additional production by George Pallikaris at Utopia Studios. Mastered at Utopia Studios by G. Pal. Published by Utopia Island Music. Copyright 2004, Swift Records.
06. Probspot, "Midnight." Written and produced by Rikard Fredriksson at the VLS Studio, Stockholm. Copyright 2004, Lost Language Recordings.
07. Subway Baby, "Gotta Stop." Written, produced, and recorded by Subway Baby for Q-Records/Q-Park AB. Published by Q-Songs. Copyright Q-Records, 2001.
08. Pankaj & Matt Edwards, "4 Corners." [Peter Bailey Mix]. Featuring vocal flavors from Mista Black. Written & produced by Pankaj & Matt Edwards at NuTrend Studios, NYC. Production inquiries contact Mark Finkelstein. Published by Copyright Control. Copyright 2003, Junior Entertainment.
09. That Kid Chris, "Come Together." [Electric Mood]. Produced and mixed by Chris Starpoli for That Kid Chris Productions Inc., Additional vocals by Melanie. Published by Starpoli Music. Copyright Junior Entertainment Ltd., 2002.
10. Max Graham, "Tell You." [Original]. Written and produced by Max Graham. Published by Copyright Control. Contains a sample from the recording "Call Waiting," by Zap Mama, licensed courtesy of Virgin Music Belgium. Copyright 2002, Hope Recordings.
11. Conjure One, "Center of the Sun." [Junkie XL Remix]. Remixed by Junkie XL at the Computer Hell Cabin. Produced by Rhys Fulber. Written by Rhys Fulber and Poe. Vocals by Poe. Published by Zomba Music Publishing/Sony ATV Songs LLC. Mastered by Rick Essig at Master Cuttingroom, NYC. Copyright 2003 Nettwerk Productions.
12. Pete Lazonby, "Everything is Burning." [The Richard K mix]. Written by Pete Lazonby & Andy Young. Produced by Pete Lazonby. Words taken from the poem "Song of Fire" by Andy Young. Vocals by Paul Heckler, Nadja Filtzer & Miss Sussie K. Recorded in New Orleans, Amsterdam, and London, additional production on remix by Richard Kegg. Mastered by Shane @ Heathman's mastering. Copyright Control/mcps.


By the way, the Evolve Festival is held every late July or early August in Antigonish, Nova Scotia. A couple of my friends are the organizers, and I was really happy to see that in a national CBC poll a few months ago, Evolve was voted as Canada's best music festival (out of almost a hundred festivals that were in the running). No matter where you live, you should check it out. People travel from all over the world to attend. Here's a link to their website:

http://www.evolvefestival.com


Unfortunately, I haven't been able to play at Evolve since 2005, because they moved the date earlier in the summer and it conflicts with my summer job (it used to be held in late August). But hopefully, in a couple more years, I'll be retired from the tree planting industry and I'll be able to start playing at Evolve again.



I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca


Thursday, November 18, 2010

Creamfields Buenos Aires 2010

Creamfields is an annual electronic music festival which is held all over the world. The original was in England, and organized by the owners of the Cream nightclub. The event has grown and Creamfields festivals have been held in more than a dozen countries, but the one in Buenos Aires is one of the most successful in the world. The year, the 2010 festival was held on November 13th, and I was there.





(Click on any photos here to see them in higher resolution)


Creamfields Buenos Aires has been plagued by bad weather for its history. It has rained just about every year since the festival started in 2001, but this year was an exception. Saturday was hot and sunny, 27 degrees Celsius (remember that winter in the northern hemisphere is summer in South America). Organizers reported that it was going to be the biggest attendance in the event's history, with between seventy and a hundred thousand people.

With five stages, and more than sixty DJ's, it it impossible to see everyone. Some tough choices had to be made. I'll give some feedback on the sets that I did manage to see in a minute, but to put things in context, some of the world-class DJ's that I did NOT have time to see included Steve Lawler, Nick Warren, Calvin Harris, Laidback Luke, Mark Knight, and Marco Carola. Tragic.

The first set that I saw was Bad Boy Orange. To be honest, I'd never heard of him. At first I wondered if this was Bad Boy Bill and he had changed his name, because I think Bill's favorite color is orange. But it wasn't, it was a drum & bass DJ from Buenos Aires. He played an interesting set, switching between a lot of different styles.

Next up was Paul Kalkbrenner. Anyone who has seen the German film "Berlin Calling" would recognize him as the lead actor in the movie, which is a story about a DJ/producer. I've featured one of his tracks from the movie, "Sand & Sky," in my radio show (his brother was the vocalist). He didn't look like he was having a very good time during his set due to technical problems. The bass was very distorted at the start of the set, until the sound engineers got it figured out, and then at the end, the music just died halfway through his last track. It looked like he walked off the stage in frustration. But aside from those problems, which certainly didn't appear to be his fault, it was a good set. Very appropriate programming considering the slot he was playing - he didn't try to play aggressively, and it was a good warmup for sets to come. Basically, he played a slower progressive/tech house set.

Next up was Paul van Dyk, with a hard, pounding trance set. PVD started at 10pm, so it was pretty early in the night still, but the festival was getting pretty full by now. It's the first time that I've been right in the middle of a dance floor of probably fifteen thousand people, and it was pretty insane. Not the place for someone with claustrophobia. I think of all the DJ's that I saw, van Dyk was the one who did the best at turning a dance floor into a "living organism," which isn't surprising since trance music is the best genre for really working with breakdowns that people can anticipate.

On to Richie Hawtin. Hawtin is a techno DJ, and as such, his notoriety within Canada is a lot lower than it is outside of Canada. Unless you know electronic music well, you probably haven't even heard of him, even if you're Canadian. But outside of Canada, I would assume that he is Canada's second best-known DJ after Deadmau5, even more recognized than people like Max Graham and John Acquaviva. The amount of touring that he does is just incredible. Hawtin has used dozens of aliases in his production over the years, and one of the most common of those was Plastikman. His set at Creamfields was under the Plastikman monikor. He plays a dirty, minimal techno, with absolutely no vocals of course. There is a lot of interaction between his music and a visual show. This was one of my favorite parts of the festival. Technically speaking, it was unquestionably one of the best sets of the entire festival. Unfortunately, I couldn't stay for the entire thing because I was trying to catch so many different DJ's, but it was pretty tough to walk away before he finished. Incidentally, I mentioned Max Graham a minute ago. The Argentinians really enjoy electronic music. Max Graham was playing in Buenos Aires on the same night as the festival, although he was in the city, at Crobar.

Next, I went over to the Cream Arena stage, where I caught the last fifteen minutes of Hernan Cattaneo. He's actually from Buenos Aires, and of course is incredibly popular in Argentina. He was playing a good progressive house style. I wish I could have seen a lot more of his set. Immediately after Cattaneo was Sasha. I didn't really want to stay for Sasha's set (even though he is one of my favorite DJ's) because I'd seen him before, but he was another one that was hard to walk away from.

Faithless was playing on the main stage by this point, so I wandered over there. That set didn't really excite me. They have great music, but it's hard to translate electronic music to a live performance of that music (as opposed to DJ'ing with the original recordings). Also, something appeared to have gone wrong, because they finished their set a lot earlier than the schedule indicated, and ended with an apology for circumstances beyond their control. I'm not sure what happened. Great production team though.

I popped over to the Arena One stage next and caught a few minutes of Steve Angello. Sort of a progressive house style, but definitely closer to traditional house and more mainstream than Cattaneo or Sasha. I had no time budgeted to hear more of his set, so I moved on quickly.

David Guetta was next, on the main stage. Here is where I saw the most interesting phenomena of the entire festival. When Guetta got onto stage, he called out on the microphone and it rang out across most of the fesitval grounds. The main stage was sort of an open stage, whereas the other four were more enclosed. Anyway, when he hollered out on the microphone, about twenty thousand people from all over the festival grounds just suddenly turned and rushed to the main stage. It was almost like Guetta had announced they were giving out bags of money. Anyway, I saw him in Montreal a few years ago, and it was ok but not outstanding. I have a ton of respect for him as a producer, he's obviously one of the very best in the world for the mainstream style he specializes in. But his strength is as a producer, not as a technical DJ (although my bet is that he'll definitely beat out Tiesto and maybe Armin van Buuren in the DJ Mag top 100 rankings next year). He started his set with "Getting Over You," then a track that I didn't recognize, then "Club Can't Handle Me," then "Like a G6." At this point I left, since those are all mainstream club tracks that I can hear anywhere.

Dubfire was my next destination. Dubfire (one half of the well-known Deep Dish duo) focuses on techno when he works alone, whereas Deep Dish focuses on progressive house. I would have to say that this was my favorite set of the night. The interesting thing is that there were no outstanding tracks that he played. Just a generic & smooth, almost exclusively non-vocal performance. It was great for the dancers though, because it was a technically superior set, with no real significant distractions. It had a great rolling flow to it. Also, Dubfire was playing in the Cocoon Arena, which was the smallest stage by far, so there were only a few hundred people in it and there was lots of room to dance. I stayed for almost his entire set.

After Dubfire, I actually came back to the main stage and saw the end of Guetta's set, which was interesting. He played a track that he said he had just finished on the plane that afternoon, and which nobody had ever heard before. He said that he was having so much fun at the party that he was going to call it "Argentina" when it's released. It sounded more like a Swedish House Mafia track than a traditional Guetta track, but I'm sure it will be pretty well known soon. You can hear it on YouTube already (there were thousands of cameras and mobile phones taking photos and videos). BTW, good to see Guetta on Twitter calling Creamfields BA the "best party on the planet."

Carl Cox was playing in the Delta Arena by this point. So I went to check it out. If I had to pick three DJ's "must see" DJ's that I hadn't seen before, Carl Cox would definitely be on that short list (along with Danny Tenaglia & John Digweed). However, I knew that I wasn't going to be able to see very much of his set at Creamfields without missing out on other things, so I made a conscious sacrifice and figured that I'd only watch him for about fifteen minutes, and plan to go see him specifically somewhere else in the future, where I could enjoy his show better. In the short time I saw him, he was on the microphone a couple times - his usual style, to get the crowd worked up.

By this point, it was past 4am, and I went back to the main stage. I wanted to see the closing act on pretty much every stage, but I knew it wasn't possible, so I figured to end the festival by catching Fatboy Slim's entire set (assuming that I liked the start of it). It seemed that about fifty thousand other people had the same plan. I wasn't disappointed, his set was another favorite of the weekend. He started out with about thirty seconds of his "Star 69" track then thirty seconds of "Praise You," and then started getting into full songs (he came back to each of those initial tracks near the end of his set, in their entirety). Fatboy Slim has had a lot of really well-known tracks, and they're all pretty vocal, mainstream tracks. I think he covered all of them in his set. He appeared to be playing on vinyl, which was interesting, because I'm not sure how he synced the videos to the music. His set had a pretty intense video component on all the big screens, with both computer generated graphical sections, and conventional footage (such as Harvey Keitel floating around from the "Weapon Of Choice" video). Anyway, it was another really strong set, and would have definitely appealed even to people who don't listen to electronic music.

So all in all, I'd go with Richie Hawtin, Dubfire, and Fatboy Slim as my favorite sets of the festival.

Some of the things that I really liked about the festival:
- The security was really, really good. They weren't intimidating or hassling people, but they were paying a lot of attention to keeping the lineups from turning into crushes. They would let groups of people into waiting areas rather than open access, so there was no pushing or shoving anywhere.
- Sound quality was pretty good everywhere. There was a big node in the front and center of the main stage where the trebles and mids were pretty minimal, so it was very bassy, but overall each stage had great sound.
- Aside from Paul Kalkbrenner and Fatboy Slim starting each of their sets with a teaser of a song that they played again later in their sets, there was not a single song that I heard twice throughout the entire night.

Room for improvement:
- There were no garbage cans! None! Argentina has no recycling program, so unbelievable amounts of plastic are just going to the landfills. So sad. Everybody just threw all of their empty bottles and hamburger wrappers and drink cups on the ground when they were done. By the end of the night, everyone was wading through a sea of trash. Apparently, this is normal for Argentina, and people just come in afterward and clean up the entire park, but I just couldn't feel comfortable about throwing trash or recyclables onto the ground. Some NGO's really need to go to South America and change the culture there with respect to recycling. Also, it was hard to dance with drink cups everywhere.
- The only real food was hamburgers. There were half a dozen hamburger stands throughout the festival grounds, but only one stand that sold pizzas. Not good for the vegetarians.

All in all, it was an eye-opening experience. The festival grounds were pretty far from where I was staying, and it took a lot of walking plus a few buses and trains to get home (three hours). But despite that, I'd love to go again next year!












I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca


Friday, September 17, 2010

Elliott Brood - Canadian Indie Folk/Rock

Today I've been helping set up the stage and lighting for a show featuring Elliott Brood and The Acorn. I thought I'd take a minute to write about Elliott Brood.

EB is a three-piece band composed of Casey Laforet, Stephen Pitkin, and Mark Sasso. They've been favorites on Canadian college radio for some time, and have toured internationally. They've done shows with bands such as Wilco, The Black Crows, Corb Lund, Blue Rodeo, and Broken Social Scene. Last year, they were one of the nominees for Canada's Polaris Prize.

Here a video for one of their songs, "Oh Alberta":


http://www.youtube.com/watch?v=R3rVfIBWnDk


Here they are before sound check. The band is having lunch at Mel's Diner:




Elliott Brood is currently playing an Atlantic Canadian tour, and they will spend most of next month in Australia. Check them out.


I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca


Wednesday, August 19, 2009

DJ'ing at the Photosynthesis Festival in Seattle, 2009

The set that I played at the Photosynthesis 2.0 Festival in Trout Lake, Washington (on August 7th) is now online.


The set is a little over two hours long, and it was a spontaneous show. I showed up at the festival on Friday night, just to relax for the weekend and help my friend TProphet, who was running the Techno Barn stage for the weekend. However, five minutes after I arrived, someone asked me if I would be willing to play since the scheduled DJ was stuck in traffic and couldn't make it in time for his set. I ended up playing in that slot, plus the one immediately afterward (for the same reason), which gave me a completely unexpected two-hour set. I wasn't really mentally prepared for this, so my programming & mixing was a bit disjointed for the first half hour, but then I got into a groove and had a lot of fun with the set.


 



Here’s the track listing from the set:

   01. Arnold, "Am I."
   02. DJ Wope, "My Generation."
   03. Artificial Dreamer, "Dusted."
   04. Audionova & Electrobios, "Pacific."
   05. Prospect, "Tok."
   06. Wawa & Thomas Gold, "Latin Thing."
   07. Dfuzhion, "Unidentified."
   08. Carl Jurgen, "City Lights."
   09. KT, "Riders On The Storm."
   10. Sensorica & Omen, "Another Day."
   11. Mark Ronson, "Oh My God."
   12. Danny Teneglia, "D'Ibiza."
   13. Nicholas Van Orton, "Evil Forces."
   14. Etienne Osborne, "Drums Of Afrika."
   15. Creamer & K, "Forget The World."
   16. Reead, "Nobody's Innocent."
   17. Basement Jaxx, "Raindrops."
   18. Kurd Maverick, "All Over The World."
   19. MattLok, "Rock The Box."
   20. Heaven & Earth, "And Let's Disco."
   21. Bailey & Fauvrelle, "Pushing Beatz."
   22. Cedrick Gervais, "Electro Therapy."
   23. Maska, "Late."
   24. Chris Scott and Dmitry Bobrov, "Too Much Is Not Enough."


You'll notice that I didn't list the exact remix that I used for each track. That's because none of them are conventional remixes. I've started taking every track that I play in sets and doing a "Bolivia's Edit" on the track. I usually cut out the major breakdowns entirely, to keep the dance floor moving. Sometimes I mix and match between a couple different remixes of a particular track. For mid-volume breakdowns, I often increase the volume a few decibels. I add one or two effects throughout the track, or drop-outs on key beats. And then finally, I boost with a hard limiter so the volume ends up being fairly consistent throughout, even through the breakdowns. All in all, that keeps the dance floor a lot more aggressive and energetic. If I ever want to give the dancers a quick break, I can reduce volumes on breakdowns on the mixer. I find this keeps things fresh and higher energy. I'll keep a few originals with breakdowns in my crate, so I can play to a lower energy level early in the set if necessary, or so I can give the dance floor a real break late in the night, but 90% of the tracks that I play are ones that I've modified before the show.

This was the second year for Photosynthesis. The festival was organized by Kyle Bove, a friend of mine from Seattle who is a talented musician himself. It featured some really amazing acts over the weekend, including the Lawn Chair Generals, Amon Tobin, Daedelus, and Kid Koala (and about fifty other talented acts). In addition, a big highlight for me was getting introduced to the music of Bryan Zentz, who played a set starting about an hour after I finished. To put it quite simply, he rocked. It's probably been about three or four years since I've enjoyed a set as much as his, and I've seen some pretty top notch "A-Class" DJ's in the past few years. I think that a lot of the tracks he played were his own productions, and I was thoroughly impressed. If you like progressive house, check out his work.


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


Anyway, please email the link to the mix to any of your friends who might like listening. It's not quite as professional as the set that I recorded in Vegas the week before, but there are a lot of good tracks in here. Only eight of the twenty four tracks in this set were also in my recent Vegas set, so the two mixes don't overlap much.

Enjoy!




I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca