Tuesday, February 13, 2024

Advice for Wedding DJ's (and Brides!)

I just added a comprehensive guide to the Training section of my main website, to help wedding planners and brides who need to select a DJ.  The guide will also help a developing DJ realize the critical importance of making sure things go right if you're selected to provide the music and/or be the Master of Ceremonies.

The page on my main website goes into far more detail than this blog post, so I'd suggest that you click on the link below, and visit the website right away:

djbolivia.ca/weddings




Basically, here are some of the things that I cover on that page:


The Importance of a Professional DJ:

- Time commitment required.

- Planning.

- Providing professional sound and lighting systems.

- Surveys from brides demonstrating how important the Entertainment is.


Challenges & Key Considerations:

- Equipment Required.

- Lighting.

- More than just playing music.

- How a DJ's credentials are vetted.

- Cultural sensitivity.


You've Picked Your DJ.  What's Next?

- Deposits & service contracts.

- Pre-planning & consultation.

- Documenting requirements.


Picking the Music

- Categories for specific parts of the evening.

- Hundreds of suggested tracks for various special songs.


I think this information will be really useful to anyone involved in event planning for weddings.  Trust me, it'll be worth your time to review it.  Again, here's the link:


djbolivia.ca/weddings



Thanks for visiting!






I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Saturday, February 3, 2024

Techno Track: "Bolivia - OCD (Original Mix)"

I'm posting this page to share one of my techno tracks, which is called OCD.  I'll have download links below.




Here's a link to the track on SoundCloud.  You can also click on the down-arrow in the top right to download this track directly from SoundCloud:


In the realm of techno, where each track is itself a voyage into the unknown, "OCD" is a mystical odyssey, etched with vibrant hues of eastern oriental landscapes.  It isn't just a song, it's a trip through the sonic landscapes of the mind, where the familiar repetition of techno beats meets the mystical allure of the East.  The track unfolds as an amalgamation of digital and traditional, where the beats blend seamlessly with the melodic hints of eastern instrumentation.  This fusion isn't just music - it's a journey.  Think of it as a meditative loop that lures the listener into a state of relaxed tranquility, akin to those repetitive rituals that provide comfort to those with OCD.  And I know about those rituals.

At the heart of this musical tapestry is a line that, at first glance, seems misplaced in the context of a techno track: "You broke my heart, my dreams are broken too. So why am I still thinking of you?"  You may search for a deeper meaning to this lyric, and wonder what dissatisfied bewilderment is rooted deep in my soul.  Well, the truth is, there's no meaning to it at all.  It's just a sample that I found, and I certainly wasn't thinking about anyone that this could allude to.

Regardless, in the grand scheme of "OCD," this lyric transcends its apparent simplicity, perhaps becoming a metaphor for the relationship between the artist, the music, and the intricate dance of creation and obsession.  It's not referring to a lost love - it's about the frequent frustration of the creative process, the relentless pursuit of perfection that terrorizes producers.  I often advise other producers that, "You've got to draw a line somewhere.  The track will never be perfect.  At some point, you have to acknowledge that it's good enough and then move on to the next track."  Just as a person with OCD can fixate on specific thoughts or actions, a producer can be drawn to a search for perfection that may never be reconciled.  Nor should it be.  We're human, and our tracks shouldn't be mathematically and sonically perfect.  So basically, this lyric recognizes the paradoxical bond between creation and obsession, where the very act that creates can also destroy.  In "OCD," I present to you not just a simple little track, but a reflection on the nature of art, the dark power of obsession, and the never-ending quest for creative acceptance.


I also put up a version of this track on YouTube.  The visuals accompanying the track were done by an AI, although the music is my own of course:




To check out and/or download any of my other tracks, visit:

djbolivia.ca/tracks


Thanks for visiting, and thanks for the support!

- Jonathan Clark (DJ Bolivia)
www.djbolivia.ca

Tuesday, January 30, 2024

"When I Grow Old" - Indie Track with Mike Allison

Back in 2007, I wrote a song that I called, "When I Grow Old."  I was just digging through some old digital folders while updating my website, and I discovered several photos from that time.  So I decided to do a blog post here, based on things that I had written at the time, to save everything for posterity.  I'll cut & paste most of this, as it was written in the context of 2008 ...



Mike, tuning the bass


-----

People who visit my website because of my DJ’ing activities probably assume that I focus almost entirely on “dance music,” or progressive/tribal house EDM, for those who pay close attention to the particular genre that I specialize in. However, I have a fairly broad background in music (as my regular blog readers must realize).

Last year, I wrote a track which I thought was pretty catchy. I'd categorize it as "indie soft rock." I recorded a rough copy of the song one Saturday evening before work at the Pub, and sent the recording to Mike Allison to listen to. A day later, Mike emailed me back to say that he really liked the song, and had recorded a rough version himself. As soon as I heard it, I decided that I would try to release the song professionally.

What with all my other jobs and projects, it took a while for everything to come together, but over the next eight or ten months, I finally got the project moving forward quickly. We recorded the song partly in New Brunswick, in my own studio, and partly in Vancouver at Fadermaster Studios, with Shawn Cole as a recording and mastering engineer. Mike did the lead and backup vocals, and the acoustic guitar and bass. I played the drums, keyboards, electric guitar, and the shaker in our new version.

I also enlisted the assistance of Deanna Musgrave to help me put a video together. We did some filming last spring, and more filming this past fall. Deanna has a lot of practice at putting videos together, and has a really interesting abstract style for some of her work which contrasts with the usual style that I’ve used in the past to put a lot of videos together. Deanna put together the first version of the video for me, and then added some additional footage with the help of Julien Strasfield as a technical guru in Final Cut (since I’m used to Adobe Premium on a PC). Learning from Deanna was a really educational experience for me.

It’s interesting that this project has turned into a “Mount Allison University Community” project. Mike is an alumnus at MTA. Shawn used to be my roommate while we were at university, and he worked at the campus Pub with me as the Student Manager (his mom, Filis, still works at the university too). Deanna is an alumnus. Julien is still a student, although he graduates this year. Ian Allen, another employee at both the University and the campus Pub, did the graphic design work for the CD, and helped with marketing. When we needed extra actors for the video, we recruited Dinao (a friend of mine who worked with me as a bartender last year) to act as Mike's supposed girlfriend. For the older version of Mike & Dinao in the future, we were lucky to have the assistance of Robert Campbell (MTA’s President) and his wife Christl (a professor at MTA) as characters. In fact, the only two people involved in the entire project who are not members of the MTA university community are the two kids in the video – Evan (my nephew) and Mira (Evan’s friend).  I needed them to be in the "flashback" footage of Mike and Dinao when they were allegedly still young. Maybe someday one or both of them will decide that they want to come to Mount Allison.

Here’s the video, for those who want to watch it:





We also put together a full CD with this song as the first track on the CD, and I included eight of my favourite other Mike Allison tracks. Some of the other songs have been released on his various albums before, and some were not. The CD is called “Tilting At Windmills."

You may be curious about the name for the CD. “Tilting At Windmills” is a phrase from Don Quixote, by Miguel de Cervantes. Basically, "tilting" was another word for jousting (by knights) in Medieval times, and in the book, our hero thought that a windmill was actually a giant, and so he wanted to attack it by jousting. Essentially then, “tilting at windmills” has come to mean “fighting a futile fight” or “fighting against imaginary enemies,” or variations on the same theme. I suppose that you could infer that since this song (and CD) are being marketed purely through guerrilla or viral marketing approaches, rather than conventional musical channels, we are “fighting the musical establishment.” However, we’re just doing this for fun, so the “musical establishment” is not really an enemy. Don Quixote is the best-selling work of fiction of all time (for non-political, non-religious works), so hopefully some of that charm rubs off and makes the CD popular too.




If you want to download a copy of the song, feel free.  You should be able to download it from that SoundCloud link.

Here are the lyrics to the song, wr
itten by Jonathan Clark on February 22nd, 2007:


When I Grow Old

So this is goodbye. You knew that it was coming.
It's not like I'm running, without warning you at all.
I said months ago, it's time that I left here.
I got nothing left here, but the writing on the wall.
I've never been a loner, but I've always been restless.
You won't let me forget this, but I'm in no mood to fight.
Don't you be sad. I wanna see you smile.
I'll be gone in a while, but I'll be right here tonight.

When I grow old, will you still be here?
I'll show you that I do care, when I finally settle down.
I don't know why, you keep telling me it's not right.
I just want you to stay tonight, won't you please stay with me now?

Been here before, when we were both young kids.
When it didn't matter what we did, we were so much different then.
I can't pretend, that I can see the future.
But baby when we're older, we will be back here again.

When I grow old, will you still be here?
I'll show you I do care, when I finally settle down.
I don't know why, you keep telling me it's not right.
I just want you to stay tonight. Please stay with me now.




Here are some photos that I found from when we were working on this project:



Deanna, filming in Sackville



Mike, singing in front of the green screen



Deanna, filming in Sackville, New Brunswick



Jonathan, getting footage in the cemetary



Dinao & Mike, being filmed in the Chapel



Shawn, doing some vocal comping



Jonathan, reviewing edits to the acoustic version




I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Sunday, March 19, 2023

Techno Track: "Bolivia - Hacks (Original Mix)"

I'm posting this to share a track that I just shared publicly, called "Hacks" (techno):

 



A long time ago, in a galaxy far away, there was a DJ code-named Bolivia who decided to mix up some beats for his coder friends to listen to.  A whole series of "Music To Code By" DJ mixes resulted.  One day, a fine gentleman by the name of Dan Fernandez (at MicroSoft) shared a link to the mixes to his significant following of fellow coders, and the rest is history.

What is a hack?  A hack, by itself, is neither good nor bad.  It just is.  But when it is freed by its creator to run in the wild, it may in fact cause problems.  Hacks in general have a bad reputation due to this niche.

But there are a lot of hacks that are used for good.  A hack can be a creative way of accomplishing something.  It can be a physical manifestation.  Sure, something can be "crudely hacked together," perhaps with baling wire and duct tape (or Perl).  But a hack can also be a neat trick, a creative way of accomplishing something more efficiently.

I'll leave it to the listener to form their own opinion on what type of hacks I was thinking about when this song was being created.  But in the meantime, hopefully my rambling here triggers the search engines to bring a few more hits to this post.

And if not, I'll try to hack something up later.


You can listen to this on Soundcloud:


Or watch it on YouTube:

Note that while the music is mine, I used an AI generator to come up with the graphics for the YouTube video.


If you'd like to download a copy, visit my Dropbox folder at:

www.djbolivia.ca/tracks


Feel free to share it or remix it.

- Jonathan Clark (DJ Bolivia)
www.djbolivia.ca

Saturday, March 18, 2023

Techno Track: "Bolivia - Dark City (Original Mix)"

 I'm posting this to share a track that I released a few weeks ago, called "Dark City" (techno):




You can listen to this on Soundcloud:


Or watch it on YouTube:

Note that while the music is mine, I used an AI generator to come up with the graphics for the YouTube video.

You may wonder about the inspiration for this track.  Let me tell you a story ...


In the heart of a sprawling metropolis, where the night never sleeps and the neon lights paint the streets in a kaleidoscope of colors, "Dark City" comes to life.  Imagine a dimly lit studio, cramped between two age-old skyscrapers, where a young producer named becomes the unwitting architect of this new anthem.  Let's pretend that his name is Jonathan.  And let's humour him when he mistakenly describes himself as young.

In this studio, the air is thick with creativity.  Or maybe it's radon gas at 212 Bq/m3, due to questionable ventilation.  Either way, Alex is too engrossed in his craft to care.  Surrounded by vintage synthesizers and a laptop that's seen better days, he channels the pulse of the city (a small town, really) and translates it into sound.

The track starts with a sultry beat, like the heartbeat of the city itself, slow and steady at first, then growing more insistent. It's the kind of rhythm that makes you want to move without quite knowing why. Into this, Jonathan weaves horn samples, not the polished kind you'd hear in a jazz club, but raw and edgy, stolen from the city's cacophony. These horns speak of midnight rendezvous and whispered secrets, of secret card games and cheap whiskey, of the kind of stories that only unfold under the cover of darkness. It's as if the city itself is whispering in your ear, telling you tales of the unseen and the unheard.

The track is a nod to the urban jungle outside, with a touch of humor that says, "Yeah, this is serious music, but let's not take ourselves too seriously."  The track, "Dark City," becomes an underground cult classic, a tribute to the nocturnal world where the lines are blurred between the mundane and the magnanimous.  It's a reminder that in the right hands, even the sounds of the city can become music, and every night holds the promise of a new story.  Jonathan, with his unintentional anthem, carries on - oblivious to the chill of the night.



If you'd like to download a copy, visit:

www.djbolivia.ca/tracks


Feel free to share it or remix it.

- Jonathan Clark (DJ Bolivia)
www.djbolivia.ca




Sunday, April 12, 2020

Icebergs & Albatrosses (But Mostly Penguins)

I have a new book online.  This one is a photo journey through the Drake Passage and on to Antarctica.




Imagine a journey from South America's Cape Horn, through the Drake Passage (also known as the Sea of Hoces), and on to rugged and majestic Antarctica. You'll see stunning views - ice, snow, mountains, water, seals, whales, and penguins (plus several dozen other types of birds and animals). You might think that it is possible to get tired of those views, but the author disagrees. This edition is a collection of photographs taken during two weeks on a Russian icebreaker vessel, including time spent camping on Antarctica itself, sleeping in the snow. For the few that have experienced similar voyage, it's the adventure of a lifetime. For those who dream of making this trip someday, these photos will be a tantalizing hint of what is to come.


Here is a link to the print edition.  This is Amazon's Canadian subsidiary, but you can just change the country code extension in the URL to find the book on your own version of Amazon:



Here are links to the various digital editions, which are priced at only $3.99 Canadian ...


(In Google Books, you may have to change the setting from "Flowing Text" to "Original Pages" on some devices in order for the content to display correctly)


You can learn about my other books at:  www.jonathanclark.ca

Enjoy!

---


I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Friday, April 10, 2020

Berlin - Techno Track with free Ableton Project & Stems Pack downloads

Francis & I just finished up a new techno track recently, called Berlin.  We're offering free downloads of the track, and also of the Ableton project files and a Stems pack.

First, here are two versions of the track.  The structure of both is the same, although I prefer the instrumentation and mixing/mastering on the Self Isolation Remix:







Now if you're a producer/remixer and you're looking for access to the Ableton project or the Stems, we have them set up in Dropbox.  Go to my public account at djbolivia.ca/dropbox and then look in the "Bolivia's Remix Projects" folder.  There are four archives there for Berlin.  The two Ableton archives have the same contents (despite different archive sizes), but we wanted to make them available as both RAR and ZIP archives, because some people prefer one type over the other.  Same deal with the Stems, both archives have the same contents.  There's also a rich text file that gives a bit of basic info about the source files, ie. things like key, tempo, external effects and processing, etc.

If you make a remix, feel free to share it online, but please use the following for a filename format:  "Urban Francis & Bolivia - Berlin (Your Remix Name)"

Finally, here's a video:



Check out more tracks by Urban Francis:









I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Sunday, March 8, 2020

Cancellation of 2020 Ultra Music Festival

It's been interesting over the last few days to watch the reaction to the cancellation of the Ultra Music festival in Miami.  The cancellation was due to the coronavirus, and it was big news since it was one of the leading music events to proactively cancel this year's show.  With 170,000 attendees last year, it's a pretty major event.  The festival was supposed to take place on March 20th through 22nd inclusive, to coincide with Miami Music Week, and was cancelled on March 5th.  Actually, I should clarify, the festival was "postponed" for a year, so the same DJ's that were scheduled for this year will play next year, and peoples' tickets for this year will be honoured next year.

Most of the reaction on social media was one of unhappiness from DJ's and from attendees.  As a DJ, and someone who enjoys attending music festivals, I understand that.





I also have a fascination with studying infectious diseases.  I think that really started around fifteen years ago when I first read a book called The Great Influenza by John Barry.  That book piqued my interest, and although I'm not a medical professional, I started to read more about disease outbreaks.  There are dozens of books available about this subject, and I've probably read them all.

First of all, here are a few basic facts that people should be aware of before I continue this post:
1.  The virus and the disease that it causes have two different names.  Most people refer to this as the "coronavirus" outbreak, but that's not really the most accurate term, since coronaviruses are a group of viruses, and the one we're having a problem with now is a specific type.
2.  The current virus is called SARS-CoV-2.
3.  The disease that it causes is called COVID-19.
4.  The effects of the disease can be fairly similar to influenza.  However, COVID-19 is not the same as influenza.
5.  Handwashing and social distancing are great precautions to help prevent the spread of COVID-19.

When the cancellation was announced, the main reasons why people were upset included:
- The epidemic had not yet hit Florida.  At the time, only one case had been identified anywhere in Florida, and it wasn't in Miami.
- Many people who contract COVID-19 experience the same symptoms as a cold or flu.  The mortality rate is low, especially for the demographic of most festival attendees (young adults).
- Influenza already kills tens of thousands of people each year in the US, and festivals aren't cancelled due to influenza.
- People already have travel booked.  Those people will still end up going to Miami to party, rather than wasting their flights.  The parties will just be more spread out.
- Disneyworld often gets more than 100,000 visitors per DAY to their four theme parks, and they aren't closed.


To be honest, these are all valid arguments!  But speaking as someone with a hopefully unbiased look at the situation (since I wasn't going to this year's festival), let me make some suggestions about each of these five arguments, and why I think the festival organizers did the right thing (even if it was the city that forced them to cancel).

1.  "The epidemic had not yet hit Florida."  Agreed.  At the time of closure, the number of confirmed cases in the US was so low that only about 1 in every four million people were confirmed to have contracted COVID-19.  However, I've studied infection rates of various diseases for years (which is irrelevant).  More importantly, qualified medical professionals and infectious disease specialists have done the same thing.  The potential for explosive spread of COVID-19 is quite high.  I think in a few weeks, once we reach the period during which the festival was supposed to take place, there will be hundreds or even thousands of confirmed cases in Florida.  At that point, people will look back and admit that the decision to cancel was wise.  Already, in the 3 days since the cancellation, Florida is up to 14 cases.  Although the infection rate could slow down, this also has the potential to explode.  Here's a good website to monitor:
https://www.nytimes.com/interactive/2020/us/coronavirus-us-cases.html
Edit, March 21st:  The Festival would be taking place right now if it had not been cancelled.  And yes, there are over a thousand confirmed cases in Florida.  Considering the difficulties in getting people tested, there are probably more than ten thousand actual cases.

2.  "The disease is not much different than a bad cold or flu."  Agreed, for some people.  However, this isn't entirely correct.  Worst-case reports in some regions indicate that as many as 20% of people "require" hospitalization.  So there are a lot of salient points arising from that.  First, even if that number is highly exaggerated, a large scale infection will completely overwhelm medical facilities in even the most advanced health-care systems.  This means that some people in critical condition who really need advanced medical care will die, due to lack of resources.  Although data is incomplete, there are indications that the mortality rate of people under the age of 50 is probably quite "low" at only around 1%.  However, in a worst-case scenario, 60% of the population could eventually get this.  Actuaries would point out that if 60% of 170,000 people come down with COVID-19, and the mortality rate is 1%, that means that about a thousand attendees would die.  That's a number that is unlikely, but it's not impossible, and shouldn't be ignored.  Although young people in excellent physical condition are at lower risk than the general population, some people in their 20's and 30's are dying.

3.  "Influenza already kills tens of thousands of people each year, and festivals aren't getting cancelled."  Agreed.  I don't think a lot of people realize the true global impact of influenza, which killed an estimated 34,000 people in the US in 2019 (plus half a million hospitalizations).

4.  "People already have their travel booked, and will still go to Miami to party."  I agree.  Cancellation will not mean that nobody shows up, and nobody expected that would be the case.  However, cancellation of the festival does mean that LESS people will show up.  It also means that people will be more spread out, and thus any community transmission will be reduced.  It may not be possible to avoid an outbreak, but it's possible to reduce the size of the outbreak, and that will help everyone in the long run.

5.  "Why isn't Disney World closed too, since they get as many attendees?"  Rather than using Disney World as a justification for why Ultra should have been allowed to proceed, perhaps Ultra should be used as an example of why Disney World will have to consider closing.  It would not surprise me if Disney World was closed by the time Ultra was supposed to take place.  And if it's not officially closed, I am pretty confident in saying that if the spread of the infection continues on the trajectory that I expect, Disney World will become a ghost town anyway as people voluntary avoid crowds.  Since Ultra was cancelled, SXSW was also cancelled.  I'd expect cancellations in the next few months from a number of other festivals, such as Coachella, Electric Daisy, the Governer's Ball, and more, if the outbreak continues on its current trajectory.  And what about the Olympics?
Edit, March 10th:  Coachella is now affected.
Edit, March 20th:  Pretty much everything (except the Olympics) is now closed or cancelled.  And the Olympics will probably be cancelled within days.  Countries are being locked down, and those that haven't been, should be.

Ultimately, this isn't about a single event.  This is about trying to proactively limit the spread of a significant infection, before it gets out of control.  It isn't about stopping an infection; it's about trying to slow it down to give the health care sector time to mount a better defense.  Will it be possible to have vaccines for SARS-CoV-2 soon?  Maybe eventually, say in about 12-16 months time.  Massive resources around the world are being thrown at this goal.

In a major epidemic, the first goal is containment.  That genie may be out of the bottle soon, as we're starting to see evidence of "community transmission," which means that people are getting it from sources that can't be traced.  That's not good.

Ultimately, I think that our best hope is to slow down the epidemic.  Eventually, there's a good chance that many of us will get COVID-19.  Diseases are a part of our natural lives.  If we can slow down the epidemic, our health-care systems are less likely to be overrun, which means that the cases in critical condition are more likely to get the resources that they need to survive.

The United States in particular has what is considered to be a world-class healthcare system, but when you're not a US citizen and you can look at it from the outside (as I can), it's easy to see the flaws.  The US is the only major country in the entire world without free and universal health care.  In this day and age, that's unbelievable.


I'll leave you with three thoughts:

1.  Social distancing has proven to work, repeatedly, in this and previous epidemics for many different diseases.  As COVID-19 cases become more prevalent around the world, expect more voluntary and forced social distancing.  Governments in various countries will try to implement various degrees of distancing, including various types of travel restrictions, quarantines, and lockdowns.  This may seem unlikely, but trust me, you should expect this.

2.  The best thing that we can do individually to help minimize the spread of SAR-CoV-2 is to practice basic sanitary measures, including frequent handwashing, and avoiding contact with others if you're starting to get sick.

3.  In the US, where there is no free and universal health care, many potential cases are not getting tested for two reasons:  ineffective leadership, and because testing isn't free for many people.  The number of cases is therefore probably being heavily under-reported.  The US currently has the highest fatality rate of all major case clusters (countries with 100+ cases), at almost 5%.  But this is most likely due to one of two factors:  (1) either under-testing means that there are more cases than anyone knows about and therefore that mortality rate is currently artificially high, so the real rate is lower; or (2) more people are dying in the US than elsewhere because there is no free and universal health care, therefore many victims can't afford proper medical treatment.






I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Sunday, September 22, 2019

Sponsor Tree Planting

Although I'm posting this in my music blog, this is not music-related.  This post is related to my other work doing reforestation in Canada.  It's important because planting trees is significant for the planet.  And coincidentally, my seasonal work planting trees is what has let me spend so much time over the years doing DJ'ing, music production, and creating training videos on YouTube.

Most of my tree planting career has been devoted to planting trees as part of a long-term cycle of harvesting wood for the pulp and lumber industries in Canada.  Various organizations cut the trees, then myself and other planter go into those areas and plant new seedlings there.  This type of work is very much like farming, although on a much longer time scale between crop rotations.

I've always wanted to set up a separate company which focuses on planting trees that will never be commercially harvested in the future.  And recently, I finally made that happen.  To capitalize on the very well-known website (Replant.ca) that I've been running for many years, I called the new company "Replant.ca Environmental."  I'm building this company along with Laura Monk (one of my key planting friends) plus a couple other experienced associates from my west coast reforestation work.

Replant.ca Environmental focuses on planting trees for carbon capture and environmental reasons.  We're building community forests and forest reserve areas in Atlantic Canada which will be protected from future commercial harvesting activities.  The company is run on a donation/sponsorship model, and addresses the desire of many global citizens who want to make a small contribution to help fight climate change, but who might not be able to do things like tree planting near their own homes.

This year (2019) is the first year that we've been operating this business, but we expect to grow it well past 150,000 trees in 2020, and to more than double that number in 2021.  Ultimately, we hope to enable a serious contribution toward the global goal of planting one trillion trees, to fight climate change.

If you're a music fan who has appreciated any of the music that I've shared, or if you found this post because of a link from one of my YouTube tutorials, thanks for reading this far.  If you'd like to show some support for my music work, I'd really appreciate if you could check out our website for Replant.ca Environmental, share the website address with some of your friends, and consider making a small donation toward the planting of some trees.  It is the many small donations that we get from readers like you that are making a very big difference in helping us plant as many trees as possible!

Here's a link to our site:   replant.ca/environmental

Thanks so much for your support!
 - Jonathan Clark (DJ Bolivia)










I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Wednesday, September 18, 2019

Live at Mount Funky Music Festival

A few weeks ago, I played a set at the Mount Funky Music Festival in Nova Scotia.  This is the seventh year that the festival has been hosted, but the first time that I had been able to play or even attend.

It has been a while since I've accepted a request to play a set.  I was hesitant to accept this gig too, especially since I only found out about it 72 hours before the show, and since I was in British Columbia at the time.  For those of you who aren't familiar with Canadian geography, Nova Scotia and British Columbia are pretty far apart (about 5000 kilometers), as they're located on opposite coasts.  However, I had a short three-day gap in my schedule, so I decided to put in an appearance.  And I was really glad that I did!

Incidentally, the reason that I've been pretty low-key on the DJ scene and YouTube production scene for a few years is because I've gotten even more heavily involved in reforestation than I was even just a few years ago.  For instance, last winter, I released three planting-related books on Amazon, which you can find if you want to visit my new author website:


Also, I've recently started another reforestation company, but instead of focusing on post-harvest industrial scale reforestation that is mandated by government policy, this one will rely on the generosity of global sponsors who donate money to have trees planted solely because it's good for our planet.  Check out this website if you're interested:



Anyway, back to the music.  Unfortunately, the stage wasn't recording all the DJ sets that night, and I forgot to bring a personal audio recorder.  So I'm not able to share a recording of my set.  However, for those of you who were interested, here's a set list:

01.  Frank Kid - Happy Funker (Original Mix).
02.  Enrico Sangiuliano - X Pollination (Original).
03.  Adam Beyer & Mark Reeve - Nine Of You (Original).
04.  Shake Inc. - Reaktor (Alex Senna).
05.  Diego Lima - MadaFuckers (Original).
06.  Phonista - Union Square (Original).
07.  Christian Smith - Blast Off (Victor Ruiz).
08.  Umek - Incinerator (Original).
09.  Umek - Mechanical Blade (Original).
10.  Hoxton Whores - Stand Myself (Kevin Andrews Remix).
11.  Hoxton Whores - Welcome To The Whorehouse (Hoxton Whores Burlesque Club Mix).
12.  Jay Lumen - Warehouse Trip (Original).
13.  Jhony Rivers - Zerotonin (German Agger Remix).
14.  Vic Ben - Return (Djahir Miranda Remix).
15.  Alberto Ruiz - Room (Original).
16.  Urban Francis & Bolivia - Hijack (Original).
17.  DJ PP - Has To Be Done (Handzoff Remix).
18.  Clark Fable - Midnight Marauder (Milo Zanneti Remix).
19.  Olivier Giacomotto - Bipolar Star (Victor Ruiz Remix).
20.  Rydel - Beat The Men (Original Mix).

Incidentally, here's a video for Hijack, a track that I did with Urban Francis, which I played in the middle of the set.




Anyway, the festival was a great time, and I was really glad to be back DJ'ing again.



I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca