Showing posts with label technique. Show all posts
Showing posts with label technique. Show all posts

Wednesday, February 22, 2017

Tree Planter Training 18 - Maximizing Productivity

Although this blog is predominantly focused on my music and DJ’ing career, I also want to share some information about my other career:  Canadian Reforestation.

The information in this post is part of a training series from the Replant.ca website.  More information can be found at this link:



I’ll put the text and audio download link from this training module below, but let’s start with the YouTube video for the module:




Section 18 - “Maximizing Productivity”

In this section, we'll give you some tips to maximize your productivity on the blocks.  Of course, you shouldn't worry about productivity and hitting big numbers until you get the basics down, namely planting acceptable quality and making it home safely for dinner each night.  We'll talk about efficient planting techniques, and efficient work strategies.  We'll also talk about how to stay organized, and how to stay focused.  In the end, it'll mean more money in the bank for you.


Maintaining a high level of Health and Safety is a requirement of good productivity.  If you're injured or sick, your productivity will decrease.  You might even miss some days of work, which cuts into your paycheque and leaves your crew short a planter.  Eat well, sleep well, and practice techniques that minimize the chance of musculoskeletal injuries.  Wear and use the right gear.  Understand typical planting risks and hazards and how to avoid them.  Remember that you have a legal responsibility to practice reasonably safe behavior.

While it's tempting to try to compete in productivity with the experienced planters, remember that they've already mastered their quality and know how to keep themselves and those around them safe.  Once you become competent in terms of safety and quality, productivity will start to rise naturally, and your foreman will feel comfortable with giving you tips to reach higher daily numbers.


Staying Organized

Never underestimate the effect that being organized can have on your productivity and earnings.  Don't be lazy - be organized.  As a planter, making sure you're informed and ready to go at the beginning of each day makes a big difference to how productive you are.

Here are some helpful ways to stay on top of your organization:
- Remember this phrase:  "Boots, bags, shovel, water, lunch."  Every morning, before you get into the truck, do a visual inspection to make sure you have all five of these items.
- Always fill your water jug at night.  It helps you avoid a lineup, and on cold camp mornings, the water lines might be frozen, so you might be out of luck.
- Repair or replace any worn or torn gear as soon as you notice it.  Don't wait until the end of the shift to do something that you could do this evening.
- Know the weather forecast and potential site conditions for the next day, so you can organize any clothing or special gear in the evening.  Don't leave it for morning.
- Know the contract specs.  If you don't, or if you forget, ask your foreman.
- Know what to do in an emergency.  Run through scenarios in your head.  Know where to find emergency contact information, and how to work things like VHF radios and satellite phones.  Always know what radio channel to use to call for help.  Assume that your foreman, the person who is normally in charge, is the one who is hurt and unconscious.  Your foreman should verbally test you once in a while on a drive home from the block, by giving a potential disaster scenario and asking you to walk through all the steps that need to be taken in that situation.
- Keep track of your tallies every day.  Write them down in a diary along with information such as prices, block numbers, who you were working with, what the weather was like, and any other notable information that can help jog your memory about things that happened that day.


Efficient Planting Techniques

Highballers move fluidly through the block, always positioning themselves correctly to complete the next anticipated task, and seldom doing only one thing at a time.  They know how to move through the land and plant with minimal strain on their bodies, and minimal energy wasted.

Planting has many steps:  bagging up, looking for naturals, looking for a good microsite, moving to it, screefing (if needed), driving the shovel into the ground, opening the hole, inserting a seedling, closing the hole, flagging (if needed), looking for trees, and doing it all over, again and again and again.  Each of these steps takes time.  You're capable of trimming a bit of time off each of these steps, sometimes by combining a couple of tasks together.  Even just a second or two saved each time that you plant a tree adds up if you repeat something a hundred thousand times in a summer.

Here are some techniques to help you maximize your productivity:
- Always plan ahead.  Be looking for the spot for your next tree as soon as your current tree is in the ground.  Eventually, you'll get to a point where you're skilled enough to always be planning out the next two or three trees ahead of you.
- Learn to plant ambidextrously.  Sometimes, the best microsite is in a spot which is awkward to deal with in your normal planting stance, but if you're able to quickly reverse your shovel hand, you might find that spot easier to deal with.  If I had to give one single piece of planting advice to new planters, it would be to learn to plant ambi.
- Sometimes, being lazy is not a bad thing.  If you pick a microsite that's easy to plant in and still meets requirements, that's smarter than putting more effort into a more difficult microsite.  I guess that rather than saying it's good to be lazy, I should say that it's smart to be efficient.  In both situations, the goal is to conserve energy.
- Use the spacing tolerance to your advantage.  Don't aim for perfect spacing.  Aim for perfect AVERAGE spacing, but be willing to fluctuate by a foot or so to find the best spots.
- Practice movements and approaches that conserve energy.  Don't bend over twice for one tree.
- Always think of ways to multi-task, such as grabbing a seedling while you're in the process of walking to the next spot.
- Always plant the back of your piece first, but don't dead-walk in to start at the back!  Plant your way in.
- Learn about piece management techniques to make your approach to planting more efficient, and to minimize inefficient things like dead-walking.


Efficient Work Strategies

Get an early start.  Being organized and prepared really helps you.  A strong morning start is psychologically powerful.  You'll feel good about your production right from the start, instead of trying to psych yourself up to catch up to where you thought you should have been.  The afternoon heat and fatigue will slow you down, so the morning plant is really important in achieving high production.

Area planting involves the proper spacing of trees on one small portion of your assigned piece at a time.  This approach works best for fragmented pieces or blocks where there's an abundance of slash, rock outcrops, large stumps, or other obstacles, since you can choose the most efficient path from tree to tree within your small area.  Note where you are and what you have covered, then, after you've planted that area, mentally mark off another small patch to plant, with full coverage in mind.

Line planting is straightforward and requires less thought than area planting.  As a first-year planter, this is the approach that you should take while you're learning to plant.  It's best suited to clear ground and open areas.  Don't automatically think that because you hear vets talking about area planting, that line planting is not always efficient.  In clear, straightforward ground, line planting is usually more efficient than area planting.  Area planting really only becomes quite useful when you're on difficult blocks with lots of slash.  Of course, as a first-year planter, you'll think that all your blocks are difficult, but chances are high that you'll be working on fairly simple ground when you're a rookie.

Try to keep a steady pace.  If you take numerous very short breaks of a minute or so during the day, to allow yourself to catch your breath or take a small drink of water, it's much better than taking one extended break.  This is especially important on cold days, because moving around keeps you warm.  A long break, or eating a lot of food at once, tends to make you feel sluggish.  Many planters use their bagging-up time as their break, and may not even stop to eat, either pacing around as they grab a quick sandwich, or eating while they're bagging up.

If you're a new planter, or just new to a contract or different block, encourage prompt feedback from your foreman or checker.  The sooner you're aware of any adjustments required to meet the quality standards, the less risk there is of a significant number of planting faults, and the faster you'll be able to establish a productive planting rhythm with confidence.

Bagging up should be done efficiently, as a lot of time can be wasted here.  Save the socializing for camp.  Make sure you have the appropriate mix of species in your bag.  Eat or drink while you bag up.


Staying Focused

Some planters find that a certain relaxed mental attitude is helpful in maintaining efficiency on the job.  They see planting as a type of meditation, and they do what's called "zoning out."  Some people find that repetitive thoughts, like a song that's stuck in your head, or counting, can help you keep focused.  Other planters strive to actively maintain a strong focus on the task at hand, and try to avoid letting themselves get distracted by anything other than the trees that need to be planted.  Although you don't necessarily have to have such an intense focus, what you don't want is for your mind to wander aimlessly and have your movements follow suit.  You need to be constantly aware of your surroundings, of the other trees and obstacles around you, where you'll put your shovel next, and how to be as efficient as possible.  Ideally, you're thinking about the next spot or next few spots to be planted.  This helps you cover the ground needed, without working yourself into a corner that requires back-tracking.  Back-tracking is a waste of time.  Dead-walking is a waste of time.

Productive planters are not only moving quickly, they're also incredibly aware of their surroundings.  They make numerous decisions, in fractions of a second, to make the most of the time taken while moving between planting spots.  They use ribbon, natural boundaries, and terrain, to keep track of areas that haven't been planted yet.  They avoid areas that have already been planted.


Even the most optimistic of planters will sometimes have a bad day, where it's almost impossible to self-motivate yourself.  On a day like that, even if you don't feel like planting, you'll have to learn to force yourself to keep working.  No matter how slow you're planting, it's faster than sitting at the cache.  You may as well face the fact that no matter how miserable you are, you're going to be stuck on the block for ten hours.  You may as well make some money while you're there.




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Here’s an Audio version of this material, in case you want to listen while you’re driving, running, at work, or otherwise unable to read or watch video:




Click on the down-arrow icon in the upper right corner of the SoundCloud widget to download the mp3.


Once again, for further information about this series of tree planter training information, visit:



I encourage you to share this information with anyone else who might be interested.  Thanks for your interest and support!

-          Jonathan “Scooter” Clark





Sunday, September 6, 2009

Separating Vocals from Songs

I've gotten quite a few inquiries from people recently on how to separate or remove vocals from a song, so they can then remix those vocals into a different track. It's very difficult to do, but it IS possible in some cases, so I'll outline a way to make it happen here.

 


 
First, in order to do this, you need to find a radio edit of the song that you like, with vocals. Then, you also need to find the exact same version of the song but as an instrumental, ie. without the vocals. If you can't find both of these two versions, then this trick won't be possible.

Next, you need to import the two audio files into your sequencer. Line them up perfectly in parallel, down to the millisecond (actually, to the exact sample). You need to be able to play them simultaneously so that they sound exactly like just one song (except for the vocals standing out, of course).

Now, convert each track to mono, so the two stereo channels are combined in each track. They need to be panned to the center.

Once you've done the above steps, and you know that they are completely synchronized, then take the instrumental track and invert the phase of the entire track.

Now, play the two tracks together, or bounce them to disk. The phase inverted version in the instrumental will cancel out the waveforms of the music in the vocal version, leaving only the vocals behind.

Now if you cannot find the full song as both a vocal take and an instrumental with the same arrangement, then you're almost out of luck. The only rare exception is that if you have just the vocal version, sometimes (in theory) you can pull tiny snippets of the vocals out from the track by cutting it up and following the steps above (for instance if there is a chorus with vocals and another "chorus" chord arrangement in the song without singing). This wouldn't work with rock songs, because they are recorded live and they won't be exactly the same, even if the musicians tried to play them exactly the same. But in today's studio-heavy world, some pop songs which are computer produced are probably generic enough to make it work. I've never actually tried this, but in theory, you might find some songs that you could do it with.


Let's step back for a while and ask why you're separating the vocals from a song. I presume that you're trying to remix a track that you like. Are you doing it because you like that track specifically, and no other? If you're doing this as a project for an artist, they should be able to provide the vocals for you. If you're doing it for yourself, then you face a bigger challenge.

An audio file that contains only vocals and no instruments at all is called an acappella. This term is actually a contraction of two Latin words, "a cappella," which literally means "from the chapel," or figuratively, "from the choir." You can do internet searches for acappella tracks in all kinds of places: Google, torrent sites, and legitimate music sites. The trick is to remember that many people spell the word incorrectly. To search effectively, you should search for "accappella" and "acappella" and "acapella" (this last one is the most common spelling and yields the best results in searches, although some people argue that the one with two P's is more correct). If I had a preference, I'd like to see things spelled correctly. So if you're a producer who is releasing acappellas, let's see if we can change the world together, and start spelling it with two P's.

Personally, rather than bang my head against a wall trying to find vocals for a specific track that I want to remix, I do it this way: I'll spend half an hour on the net, trying to locate an acappella for that particular song. If I can't find one in that amount of time, I'm probably not ever going to find one. Sometimes, it is better to just admit defeat and look instead for acappellas in general, and then pick one that you like which is already available.

There are a lot of acappellas out there. If you search download or torrent sites, you can find lots of legal ones that you can download very quickly. Some have to be purchased, but many are free, depending on which sources you use. Go to www.beatport.com as an example. Enter "acappella" into the search engine, and you'll find several hundred tracks to choose from. Enter "acapella" and you'll find thousands.

In rare cases, if you are looking for a specific song, you can actually contact the artist and ask if you can have a copy of the vocals. Some artists will give these out, although it's pretty rare on major labels unless you happen to be a very well-known remixer with a lot of previous credits on your resume. Many smart studios/artists will recognize the fact that the more often that their songs are remixed, the more publicity (and therefore royalties) that go to the copyright holders for the songs. The remixer doesn't get any royalties (except in certain uncommon exceptions for top remixers). Usually, all the money is made by the original artist (or I should say, more accurately, by the studio). Of course, you do also have to recognize that a bad remix of a track doesn't help much, because it won't get played and therefore won't drive radio-play or other royalties. Some artists/studios will provide vocals under strict conditions that the artist/studio gets to review the remix first before it is allowed to be released, and they have the right to prevent the remixer from releasing the remix if they don't like his/her version of the song.


So anyway, the moral of the story is that if you have your heart set on remixing one specific song, sometimes there are options. But usually, I find it is best to listen to some of the thousands of vocal recordings that are already out there, and choose one of those readily-available tracks to remix.

Good luck with your remixing projects!



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I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca