Sunday, January 8, 2017

Hijack (Techno Track, and Remix Contest)

Congratulations to Dom3n, from Slovenia, who was the winner of our Hijack remix contest!  Here's his winning entry:







Here are a few of the many other notable entries for the Hijack contest. We'll be slowly releasing additional remix entries over the coming months.















Here is the Original Post that we made about this remix contest:

Urban Francis and I just did another track together.  This time, the style is techno.  We've made the mastered final track available as a free download, we've created a music video on YouTube, and we're sponsoring a Remix Contest (details below).

Most importantly, for the producers, we've shared our entire Ableton Live project files!  Producers can download the full project, see how we put the track together, do your own remixes (which we highly encourage), or even use the project as a template for your own future projects.  All that we ask in return is that you spread the word about our track and video!  Here's the original:




The files that you'll need for remixing (either the Ableton project or the audio Stems collection) are now available from my public Dropbox account.  Just look in the "Bolivia's Remix Projects" folder. My Dropbox also includes a lot of other stuff that people might be interested in.  Here's the link:

The RAR and ZIP versions are different compression types, but the same archives.  ZIP files are universally compatible but larger than RAR.  RAR will be a significantly smaller and faster download, but are only native to Windows.  If you're using a Mac, download a free app such as "The Unarchiver" or "UnRarX" to unpack them.

If you're interested in the stems, you'll be able to use them in pretty much any DAW or audio editor.  They're in WAV format, at 48000/24-bit.  If you're going for the Ableton project, you must have Ableton Live Suite version 9.7 in order to be able to open the project.  Only three resources external to Ableton were used, as detailed in the notes included in the folder.  One external plug-in is a free download (Voxengo's Span), one is cheap (Dadalife's Sausage Fattener), and the last (Absynth 5) is more expensive, but can be replaced with a different VSTi of your choice if you don't have it.


Here's the music video that we produced for this track.  Thanks for sharing it around :)




Remix Contest Details:

We're currently hosting a remix contest for this track.  I'm personally sponsoring the contest with a prize of $300 (in Canadian dollars) for the winning track.  That amount can be paid to the winner (in Canadian funds) as long as you have paypal.  If the winner is a Canadian resident, I'm also willing to mail a cheque if you don't use paypal.

In addition, a number of other randomly selected entries will be showcased on my website, in this blog post, on our SoundCloud accounts, and through other internet media, along with the contact info and/or a promo website for the producers of those remixes (if you want to share such info).


1.  You may share your remixes freely on any internet sites, in any file type(s), both before and after the closing date of the contest, as long as you name your remix according to the following convention:  Urban Francis & Bolivia - Hijack (YOUR NAME Remix).

2.  You should not attempt to register your remix with a professional label or publisher (due to potential copyright content clashes, which I'll explain at the end of this post).  So if you share your remix with the world, you'll have to do it through your own personal publishing efforts.

3.  Your remix can be any genre at all, of your choosing.  Obviously, it will be easier to produce your remix in a style similar to the existing original, ie. some sort of techno derivative.  But feel free to be creative.

4.  You may submit up to two separate entries.

5.  There is no restriction on the length of your submission(s), although we expect that the majority of submissions will probably be between 4 and 8 minutes in length.  Having a submission that is shorter or longer than that range will not handicap you when it comes to judging.

6.  The deadline for entries is 11:59pm (Atlantic Standard Time Zone) on Sunday night, February 26th, 2017.  All judging will take place and winners will be announced within this post by March 15th, 2017.

7.  This contest is open worldwide where permitted, to entrants who have reached the age of majority in their country of residence.  Persons under the age of majority who create a remix may submit their entry through a parent or legal guardian as proxy.

8.  Notwithstanding the above, this contest is void in jurisdictions where prohibited by law.

9.  The prize for the contest winner will be $300 in Canadian dollars.  The Canadian dollar is currently weak, and is worth less than the US dollar.  This amount can be paid to the winner as long as you have Paypal or Interac Email Transfer capabilities.  If the winner is a Canadian resident, I'm also willing to mail a cheque if you don't use Paypal or Interac Email Banking.  I will not send a cheque or use any other type of money transfer service to non-Canadian residents.  The recipient of the winning prize is solely responsible for reporting and submitting any relevant income taxes that might apply to your prize money in your country of residence.  Canadian residents will not enjoy any preference in judging.  We want this to be a global contest.  Having said this, we do expect a number of Canadian entrants, so it's possible that the winner could be a Canadian.  Just rest assured that we definitely won't discriminate against non-Canadians!  The majority of the winners of our past remix contests have been non-Canadians.

10.  Judging will be done by a panel of judges including Urban Francis and other associate producer friends.  The judges' decision will be based upon the quality of music, production values used in making the remix, and possibly also on how innovative the remix is.  The judges' decision will be final, and the judges will not provide feedback on why they chose the specific winning track above any other specific track.

11.  You may share your remix publicly before the contest is over.  However, the popularity of any shared remixes will not influence the judges' decision.  The winner will be decided based upon the judges' perception of the quality of the submissions, not based upon a popularity contest.

12.  Your remix is permitted to include any additional vocal/sample material that you generate, although don't take this as a suggestion that we'd prefer that.  In other words, you may produce an instrumental version if you want, or you can add new vocal/sample material of your own.  You may also include new sounds/instrumentation of your own.  However, please do not include ANY samples or vocals that have been copyrighted elsewhere by another artist.  Any entries containing someone else's copyrighted content will be disqualified.  Any new samples, loops, or other audio materials incorporated into your remix must be royalty-free or exclusively designed by the remixer.

13.  Musicians or producers who are under an exclusive contract with a record label are ineligible.

14.  No purchase is necessary to enter or win this contest.  In fact, there is nothing that you can buy.  However, by entering this promotion contest, you agree that any costs that you incur in creating your remix are solely your own responsibility.

15.  Any potential copyright or other intellectual property rights that may potentially vest in your remix will be granted to Bolivia (Jonathan Clark) and Urban Francis (Francis Cormier).  Note that this is simply to avoid legal complications, and we do not intend to attempt to sell copies of your remixes.

16.  It is expressly agreed that no payment is due to the participants for the production of your remixes.  Only one winner will receive a monetary prize.

17.  By providing your entry details to us, you confirm that you would like to enter the promotion contest and that you agree to be bound by these rules, terms, and conditions, ethics rules applicable on the internet, applicable laws and regulations, and all legislation applicable in your jurisdiction of residence.

18.  Your remix must not contain any illegal, obscene, racist, defamatory, or sexual material, or any material likely to offend any person or any material likely to infringe upon any person's rights of privacy.  The judges reserve the right to disqualify any entries based upon these or any other criteria.  Entrants represent and warrant that their comments or public publishing do not contain any harmful, offensive, or inappropriate content, or any other communications which might defame, disparage or reflect adversely upon the promoters or our goods/services.

19.  We reserve the right to disqualify any submissions that we believe to be the work of other producers.

20.  The winning prize is non-transferable.

21.  We accept no responsibility for entries lost, damaged or delayed, or for any inability to submit entries as a result of computer services, systems, software and/or server failure, error, interruption, defect or delay or any other technical malfunction, including problems with internet connectivity and/or filtering or content by any social media platform.  Entries which are late, incomplete, corrupt, garbled, inaccessible/blocked, bulk, automated, ineligible, suspected as fraudulent, do not comply with the rules & terms & conditions, or which in our sole discretion affect the validity or operation of this promotion contest will not be accepted and are void. 

22.  Except to the extent that they may not be excluded by law, no representations, warranties, terms or conditions that are not expressly stated in these rules & terms & conditions apply to this promotion contest.  We share no liability for any injuries, loss, or damage of any kind arising from or in connection with participation in this promotion (including any damage to entrants' or to any other persons' computer relating to or resulting from participation in, or downloading of any materials or software in connection with this promotion contest), or acceptance, use, misuse, or non-use of any prizes.

23.  We reserve the right to edit and/or augment the rules & terms & conditions at any point throughout the duration of this contest, in case we think of something that we forgot to mention.

24.  Your remix must not include any unauthorized samples or audio which have a copyright belonging to any other artist or entity.


Phew.  That was exhausting.


To Enter:

1.  Send a link to your track via email to Urban Francis in an uncompressed audio format, ie. WAV or AIFF format.  The best way to do this is probably to put it into a Dropbox account (you can get one for free if you don't already have one) and share the link to the file with Urban Francis.  If this isn't possible, you can find other services that would allow you to host and share your file.  But to be honest, Dropbox is probably the best and easiest by far.  An alternative would be to get a free Soundcloud account (if you don't already have one) and upload the file there, and enable downloads, then send that link to Urban Francis.

2.  You should not send your project/session files.

3.  You can produce your remix in the DAW or Audio Editor of your choice.  We'd like to know which DAW you used, but that's mostly just out of curiousity.  Also, although we haven't decided this yet, we might pick a couple of especially good entries to feature in our public dropbox (your entire project files) IF you're willing to do that.  But you don't have to, and that won't affect how we judge the entries.  Again, don't send us your full project/session files.  For now, just tell us which editor you used.

4.  We must have the following information:
     - Your full name.
     - Your producer alias, if you have one.
     - What country you're from.
     - Your email address (if unspecified, we'll assume that it's the one that you use to enter).

5.  You can optionally include a photo with your entry.  This is not mandatory, and won't affect your chances of winning.  We'll only use this if you're the winner and if you happen to want a photo published.

6.  In the event that your submission is randomly selected to be shared by us to a wider distribution, it would be helpful for you to tell us (when you enter) whether or not you want to share any promotional details with your remix.  Details must be limited to one email address and/or up to four website links (soundcloud, facebook, etc.).

7.  Urban Francis will reply to all submissions to confirm that they have been received.  If you don't get a submission confirmation email, please send a second email which is TEXT ONLY to specify that you sent a submission.  That way, if your original email (with links and/or attachments) got redirected to spam/trash, we can look for it.

8.  The email address to send entries to is:  
fcormier27@gmail.com

Good luck with your remixing.  And if you can think of any remix or production-oriented message boards where you could share the link to this post, I'd appreciate it.  Thanks!


Note:  We have copyrighted and registered the original work with SOCAN, the Canadian music licensing agency.  Although we are not pursuing copyright claims if the content is posted online, you should be careful if you do a remix and give it to a label that tries to enforce copyright claims on your own remix.  Since we've already registered the work, we'd be able to prove that we hold the original copyright.  In other words, make sure you don't get into a situation where you sell your remix to a label who then tries to use content-matching algorithms at services such as YouTube and Soundcloud to monetize remixes of your remix.  If such a content-match occurred with our original track (which is on both of those services, and other services) then you'd have a lot of hassle trying to remove your track from the system.  However, this shouldn't be an issue if you share your own mixes freely on YouTube, Soundcloud, and other platforms.  It would only be if you tried to share through a label that was trying to collect publishing royalties that you'd run into an issue.




Don't forget to follow Francis on his SoundCloud account, because he posts free tracks a lot more frequently than I do!  Here's the link:

www.soundcloud.com/urban_francis

Also, if any labels out there are interested in additional tracks similar in style to this one, let us know.  We have a few unreleased tracks that we might be willing to place with labels, although we would not be willing to sign an exclusive or long-term contract with any one label.  We'll do track-by-track one-off placements only.


We've recorded a series of seven separate YouTube videos that will help explain how we put together various parts of this project.  The videos are aimed at intermediate and advanced Ableton producers.  Here they are:

























For results from an older 2016 remix contest of a progressive house track called "Courage" that Urban Francis and I produced together, which also has the Ableton project available in my public Dropbox, visit this link:







Thanks for stopping by.  Don't forget to bookmark this post, and come back shortly for more updates!  We'll be posting a number of the remix contest entries here throughout March.






I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

SHG Radio Show, Episode 340

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 340) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:




Here are Track Listings for episode 340:

01. Bizen Lopez - Diagonal Sea (Dub Mix).
02. Mad Us & Cristiano Cellu - Aires (Original Mix).
03. Dan Rubell - Disposition A (Original Mix).
04. Quadrumana - Never Mind (Original Mix).
05. Deivi Coa - The Oscuro Silvido Deep (Original Mix).
06. Kriece - The Squid From Madrid (Fontanelle Spanish Ink Edit).
07. Hornbostel & Thammer - Rotation (Dub Edit).
08. Etienne Ozborne - Feel It Together (Original Mix).
09. Mitekss - Tribe World (Original Mix).
10. Lars Horton - Metaphysic (Original Mix).
11. Outcode - Lobo (Jaceo Remix).
12. David Keno - Youth (Original Mix).


Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Bizen Lopez (Spain)
Mad Us (Italy)
Cristiano Cellu (Italy)
Dan Rubell (Austria)
Deivi Coa (Venezuela)
Kriece (Australia)
Hornbostel (Germany)
Thammer (Spain)
Etienne Ozborne (Canada)
Mitekss (Italy)
Outcode (Colombia)
David Keno (Germany)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
        Facebook: facebook.com/djbolivia
        Main Site: www.djbolivia.ca
        Music Blog: djbolivia.blogspot.ca

Thursday, January 5, 2017

SHG Radio Show, Episode 339

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 339) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:




Here are Track Listings for episode 339:

01. Sanedrachunter - Off From Zero (Original Mix).
02. Thrill Rules - Hyped (Original Mix).
03. Andre Winter - Argo (Original Mix).
04. Kollektiv Turmstrasse - Sorry I Am Late (Pig & Dan Remix).
05. Tomy Wahl - Stuck In A Nightmare (Avgustin & Peppou Remix).
06. Energy 52 - Cafe Del Mar (Dale Middleton Remix).
07. Oner Zeynel - The Rhythm (Original Mix).
08. Wehbba - Psyche (Mark Reeve Remix).
09. Audiojack - Turya (Original Mix).
10. Sidney Charles - So Deep (Original Mix).
11. Joeski & Green Velvet - Rouse (Original Mix).
12. Tacky Land - Future Spring (Original Mix).


Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Sanedrachunter (United States)
Andre Winter (Germany)
Kollektiv Turmstrasse (Germany)
Tomy Wahl (Argentina)
Oner Zeynel (Mexico)
Wehbba (Brazil)
Audiojack (Spain)
Sidney Charles (Germany)
Joeski (United States)
Green Velvet (United States)
Pig & Dan (Spain)
Avgustin (Bulgaria)
Peppou (Bulgaria)
Dale Middleton (United Kingdom)
Mark Reeve (Germany)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
        Facebook: facebook.com/djbolivia
        Main Site: www.djbolivia.ca
        Music Blog: djbolivia.blogspot.ca

Sunday, January 1, 2017

SHG Radio Show, Episode 338

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 338) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:



Here are Track Listings for episode 338:

01. Queco - Black Pig (Original Mix).
02. Dennis Cruz - Bad Behaviour (Original Mix).
03. Chicola - Drosera (Samul Remix).
04. Fhaken & Wayne Madiedo - Erykha (Original Mix).
05. Matt Sassari - Freakin (Original Mix).
06. Steffen Deux - Peachick (Original Mix).
07. Jay Lumen - Pulsar (Original Mix).
08. Sinsoneria - Informer (Extended Club Edit).
09. Oliver Huntemann & Dubfire - Humano (Victor Ruiz Remix).
10. David Keno - Play (Original Mix).
11. Adam Beyer & Mark Reeve - Nine Of You (Original Mix).
12. Anna - Face Your Fears (Original Mix).


Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Dennis Cruz (Spain)
Chicola (Israel)
Fhaken (Mexico)
Wayne Madiedo (Mexico)
Matt Sassari (France)
Steffen Deux (Germany)
Jay Lumen (Hungary)
Oliver Huntemann (Germany)
David Keno (Germany)
Adam Beyer (Sweden)
Mark Reeve (Germany)
Victor Ruiz (Brazil)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
        Facebook: facebook.com/djbolivia
        Main Site: www.djbolivia.ca
        Music Blog: djbolivia.blogspot.ca



Tuesday, December 20, 2016

SHG Radio Show, Episode 337

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 337) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:



Here are Track Listings for episode 337:

01. Queco - True Life (Original Mix).
02. Joe De Renzo - Take Off (Original Mix).
03. Dave Rosario - Street Prophet (Original Mix).
04. Camilo Diaz - Aggromotion (Original Mix).
05. Don Santiago - The Hoover (Original Mix).
06. Fat Sushi - Warehouse (CamelPhat Remix).
07. Anna - Artha (Original Mix).
08. Oscar L - Alors On Danse (Miguel Bastida Remix).
09. Aspen Bizarre Disco - Aint No Bastardz (Original Mix).
10. Mental Drops - Istambul (Original Mix).
11. Tomy Montana & Mark Grandel - The Crackin (Original Mix).
12. Joris Voorn - Esquape (Original Mix).


Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Dave Rosario (United States)
Camilo Diaz (Colombia)
Don Santiago (Spain)
Fat Sushi (Switzerland)
Oscar L (Spain)
Aspen Bizarre Disco (Unknown)
Mental Drops (Mexico)
Mark Grandel (Hungary)
Joris Voorn (Netherlands)
CamelPhat (Unknown)
Miguel Bastida (spain)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
        Facebook: facebook.com/djbolivia
        Main Site: www.djbolivia.ca
        Music Blog: djbolivia.blogspot.ca

Thursday, December 15, 2016

SHG Radio Show, Episode 336

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 336) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:




Here are Track Listings for episode 336:

01. Mowree - Ya Body (Original Mix).
02. Gorge - Maleika (Original Mix).
03. Dennis Cruz - Everybody (Original Mix).
04. Crazy Sonic - Broken Heart (Drunken Kong Remix).
05. Phunk Investigation & Styline - Protest (Original Mix).
06. Samul - Good Die Young (Original).
07. Solardo - Tribesmen (Original Mix).
08. Max Ferrante & Simil Masiano - Sensual (James Gutierrez Remix).
09. Craig Boyd - Insane Crowd (Patrick Mendes Remix).
10. The Sloppy 5ths - Bruthas & Sistas (Original Mix).
11. Enrico Sangiuliano - Dutch Kiss (Straight Mix).
12. Kaiserdisco - Get Enough (Original Mix).


Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Mowree (Italy)
Gorge (Germany)
Dennis Cruz (Spain)
Crazy Sonic (Austria)
Phunk Investigation (Italy)
Solardo (United Kingdom)
Max Ferrante (Italy)
Simil Masiano (Unknown)
Craig Boyd (United Kingdom)
The Sloppy 5ths (United States)
Enrico Sangiuliano (Italy)
Kaiserdisco (Germany)
James Gutierrez (Italy)
Patrick Mendes (Brazil)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
        Facebook: facebook.com/djbolivia
        Main Site: www.djbolivia.ca
        Music Blog: djbolivia.blogspot.ca

Wednesday, December 14, 2016

Learn to Fly in Canada

I think a lot of kids wish that they could be a pilot when they grow up.  Unfortunately, many never decide to follow that dream.  I myself wasn't the same.  I can't really remember any specific career that I wanted to have as an adult, but I'm pretty certain that being a pilot definitely wasn't even on my radar.  It wasn't that I wasn't familiar with aviation ... I read tons of books about aviation, planes, rocketry, aviation, and that sort of thing while growing up.  But it was only about a year and a half ago that I decided that I wanted to learn how to fly.

People who think about getting a pilot's license are often deterred because of the challenges.  There are a definite a couple obstacles.  First, the cost is not insignificant.  It's possible to get a basic regular PPL (private pilot's license) in Canada for perhaps as little as $15,000.  But I'd recommend that students budget closer to $20,000, unless you've done a lot of studying in advance, and you're able to do it in a fairly short calendar time frame (a few months).  Otherwise, you'll end up wanting to do refresher flights quite often, because you'll forget things if you're not practicing regularly.

 



Another challenge is that the material is not easy.  Most of the material covered in a Canadian private pilot license is not terribly difficult, but there is a lot of memorization, and parts of the flight theory, navigation, and meteorology sections can be tricky.

In addition, depending on where you live in Canada, it can be difficult to find instructors.  Weather is also an issue - although a plane flies much more easily in cold weather in winter, many students try to avoid lessons when it's cold out.  And finally, if you're a bit nervous of planes or heights, or get nauseated easily, your first couple of flights might be tricky (don't worry, all of those minor problems start to disappear quickly after half a dozen lessons!).

I can't help anyone with money, finding an instructor, or a fear of heights.  However, I can help with the theory and memorization part!  As I was working on my PPL license, I made pretty extensive notes to help myself study, and I'm posting them here so they're free for anyone to use.  Please be aware that these notes are not a suitable replacement for the training that your instructor will do with you, nor as a replacement for going through ground school!  This is just some of the important information, laid out in a format that I hope will make it easier for you to study.

My notes were broken into seven sections.  I have both PDF versions of the notes, and audio (mp3) recordings, in case you want to listen rather than read.  The fastest way to download any of the items is through my public Dropbox account.  Go to this link:

www.djbolivia.ca/dropbox


Then look in the "Canadian Aviation" folder.  You'll see different sub-folders full of things, including my PDF study notes, my audio versions of my study notes, a folder full of posters and charts, and another folder full of public domain reference guides and materials.

I also have the study note PDF's available if you click on these links:


As of 2026, these notes are getting outdated and contain errors!  I'm going to update them all to reflect current regulations by the end of December 2026!!


When you first go visit a flight school, you'll go on what's called a Discovery Flight.  This is a quick flight of about an hour, to let you get a sense of what it's like to be up in a small plane.  You may feel a bit nervous, but don't worry!  Your instructor may actually let you take the controls and fly the plane a little bit while you're up there on your first flight.  All training aircraft have two sets of controls, so don't worry, because the instructor will be able to override you if you do anything wrong.

For those of you who are nervous about being up there in a small plane, you've probably heard lots of statistics about how much safer airplanes are than cars.  It's true.  But here's one other thing that helps put safety into perspective.  You're used to driving a vehicle on the road, I assume?  Well, if you make a bad mistake with a vehicle, you could end up in the ditch, crashing, in about three to four seconds.  However, with a plane, it would probably take a couple minutes for you to get down to the ground.  This was one of the most memorable lessons that I learned quickly.  Even if you make a mistake and the plane starts to "fall out of the sky," you have TONS of time to think things through and react appropriately.  The only time you need to react fairly quickly is if you're diving at the ground, and that's simple enough to fix by slowly pulling up so you're in level flight again.  Incidentally, most people do their PPL training in Cessna airplanes, which are incredibly forgiving.  When you make a mistake, they're designed to usually return to a safer configuration on their own, without you touching the controls.

Anyway, some people approach their lessons differently than other.  Remember that there's the hands-on physical training, in the aircraft, but there's also a lot of theory involved (this part is called Ground School).  And there are a couple other side requirements (passing a basic "PSTAR" multiple choice exam, getting your medical done, and getting your radio license).  If I was going to recommend an order to approach everything, here's one possible way of doing it:

1.  Do your Discovery Flight, just so you feel what it's like to be in the plane in the sky.

2.  Spend a couple days reading and learning my "Beginner's Aviation" study notes.  You don't have to memorize it all, but this will give you a good base so you'll understand a lot more things when your instructor starts doing your flight lessons.

3.  Start with your regular lessons.  I'd try to go through at least two or three.

4.  Get your medical done.  Your instructor will tell you the requirements.

5.  Ask your instructor to get you set up for the P-STAR exam and the Radio License exam.  Once you have the study materials for those two exams, set of goal of something like two weeks to memorize it all and take your exam.  But keep flying while you're doing this!

6.  Once you have your P-STAR and Radio License, you need to really start learning the ground school material.  I'd recommend doing all the Air Law & Miscellaneous, and the Flight Theory & Aircraft sections first.  As you're still going through basic lessons, before you're allowed to try a solo flight, it's those two sets of study notes that will be most applicable to the hands-on learning that you're doing.  I should make a note here that if you're doing regular ground school in a classroom, you won't have much choice about timing of lessons.  If you're doing it through an online school, with videos and online testing, you proceed at your own pace.  I wouldn't recommend one approach over the other.

7.  Eventually, you'll be allowed to do your first solo.  This is a pretty significant milestone.  But before you do that, spend a day or two studying my Pre Solo Flight Basics study notes, and make sure that everything makes sense.  If it doesn't, review the appropriate manoeuvres with your instructor before you do a solo, even though your first solo will probably just be a couple of simple circuits around the airport.

8.  You still have a bunch of flight lessons to go through, but at this point, I would really take a couple weeks to go hard at learning the Navigation and Weather/Meteorology study notes.  But don't do this at the expense of continuing to fly.  You'll get rusty if you don't practice, so if it takes you more than two weeks to learn all of the Navigation and Weather/Meteorology, make sure that you keep doing at least one flight per week, to maintain your comfort level.

9.  Once you've learned Navigation & Weather/Meteorology, you need to go through the rest of your flight lessons.  While you're doing this, refer occasionally to the Abbreviations & Acronyms study notes.  That one is pretty much pure memorization, and I find that it's nice to review one or two pages each night.

10.  Now comes the big decision.  You're getting close to being ready for both your written final exam and your flight exam.  Which one do you do first?  Do you try to do them simultaneously?  Well, I wouldn't do them simultaneously.  There's a lot of last minute review that you'll probably want to do for each.  When you do the written exam, it takes a few weeks for you to get your mark back, so you might want to do that first.  With your flight exam, if you pass, you're basically going to know immediately.  But it can be tormenting if you pass the flight exam, but still need to go on to do the written exam, because that means that you can't fly your friends around for several more weeks!


Going into the flight exam, your instructor will basically take you up on mock flight tests, and make sure you're really at the point of being able to pass, before he gives you a recommendation to book an examiner.

For the written final exam, there's a really great study guide that you should pick up.  This is what it looks like:



You can find it by going to the www.VipPilot.com website, and searching for "Private Pilot Exam Prep Guide."  Worth every penny.

Incidentally, there's one more book that I haven't mentioned yet, which is pretty much "The Bible" for people who are learning to fly.  It's called, "From The Ground Up," by Sandy AF MacDonald.  A classic.  It's available from Amazon, and it also has a companion Workbook that you can buy.  I'm not sure what to recommend insofar as the "best point" in the learning process to read this book.  I didn't even start to read it until I was done ground school, and long after my first solo flight.  But it could be equally productive to read this entire book as the very first thing you do, even before your discovery flight.  It's gold Jerry, gold.




Here are links to a few websites that you might find to be useful:



By the way, don't forget to look those that reference material in my public dropbox at www.djbolivia.ca/dropbox - here's a partial list of some of the contents:

AIP Canada
Aeronautical Information Manual (AIM)
Aviation Weather Services Guide
Canada Air Pilot (CAP)
Canada Flight Supplement (CFS) sample version from 2009
Designated Airspace Handbook (DAH)
Flight Training Manual, Transport Canada, 4th Edition
Manual of Word Abbreviations (MANAB)
PPL Flight Test Study Guide
PPL Written Exam Study Guide
PSTAR Exam Study Guide
Radio Operator's License Study Guide
VFR Phraseology
Weather Report Acronyms
Canada's Airspace Poster
Cessna 172M Pilot's Operating Handbook (POH)
Environment Canada Clouds Poster


Oh, and if it's more convenient, I also posted the audio versions of my study notes on Soundcloud, and you can download them individually that way too.  I'll keep updating these same widgets any time that I revise any of the material in the notes.

















Finally, learning about various types of clouds is a challenge for some students.  If you want to know about the definitive source for information on clouds, it's the World Meteorological Organization's "International Cloud Atlas."  Here's a link:




That's all for now.  Maybe some day I'll open a flight training school (although I still have a long way to go before that could ever happen).  In the meantime, enjoy learning to fly!  But be careful, it's pretty addictive ...






I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Saturday, December 10, 2016

SHG Radio Show, Episode 335

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 335) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:




Here are Track Listings for episode 335:

01. Peaceful Mind - Whispering (Pasten Luder Remix).
02. Joseph Gaex - Mi Canto (Original Mix).
03. Reinier Zonneveld - EHT (Original Mix).
04. Tenzer & Dave Tech - Monster (Original Mix).
05. Kostha & Jurek - Rellor (Original Mix).
06. Gorge - 411 (Original Mix).
07. Nicole Moudaber & Skin - These Walls Are Made of Water (PanPot Remix).
08. Several Definitions - Dark Triangles (Reset Robot Remix).
09. Slam - Ecclesiastic (Original Mix).
10. JJ Mullor, Nicky Three Sixty, Dave Peterson - Feeling (Original Mix).
11. Enrico Sangiuliano - Ghettoblaster (Original Mix).
12. Miki Hernandez & Miguel H - The Whistle (Original Mix).


Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Joseph Gaex (Nicaragua)
Reinier Zonneveld (Netherlands)
Tenzer (Netherlands)
Dave Tech (Mexico)
Kostha (Spain)
Jurek (Spain)
Nicole Moudaber (London)
Several Definitions (Switzerland)
JJ Mullor (Spain)
Nicky Three Sixty (St. Martin)
Enrico Sangiuliano (Italy)
Miki Hernandez (Spain)
Miguel H (Spain)
Pasten Luder (Mexico)
Reset Robot (United Kingdom)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
        Facebook: facebook.com/djbolivia
        Main Site: www.djbolivia.ca
        Music Blog: djbolivia.blogspot.ca

Tuesday, December 6, 2016

SHG Radio Show, Episode 334

Welcome to this week's edition of Subterranean Homesick Grooves™, a weekly electronica-based radio show presented originally on CHMA FM 106.9 at Mount Allison University in Atlantic Canada (but expanded to distribution on other terrestrial and internet-based radio stations), and also distributed as a global podcast through iTunes. The show is normally programmed and mixed by Jonathan Clark (as DJ Bolivia), although some weeks very occasionally feature guest mixes by other Canadian DJ's. The show encompasses many sub-genres within the realm of electronic dance music, but the main focus is definitely on tech-house and techno, and a small amount of progressive, trance, & minimal. Due to the mix of styles, you may hear combinations of tracks that wouldn't normally be featured together in a DJ's live set, but this show is intended to feature various styles of electronic/dance music. Liner notes for this episode (SHG 334) can be seen below.

Para la información en español, vaya aquí.

I should point out that when I make these shows, I mean for them to be a journey. I pay a lot of attention to the programming, and to the development of energy levels. If you're a first-time listener, you might think that the start of the show is quite tame, on the slower and "deeper" side of house or techno. However, give it time. Pay attention to how the styles change throughout the mix, and how the energy builds. Sometimes, I'll be very erratic and jump around between several genres, just for fun. Sometimes, I'll do a particularly dark show, with a heavy emphasis on techno. Most of the time however, you'll find a mix of mostly deep house or minimal or deep techno for the first third of the mix, building into a more upbeat section of tech-house through the middle, perhaps building up to some energetic tracks at the end, which often trespass into the realm of more contemporary house. Don't treat the show as a collection of individual tracks ... think of it as a cohesive experience; an hour-long aural journey of reflection and beats.




Here’s a link so you can listen to the show or download it from SoundCloud:



In addition to being able to download each episode from SoundCloud, you can also visit our DJ Mixes folder on Dropbox (which allows for bulk downloads).  That folder hosts hundreds of episodes and other DJ mixes.  Here's the link:


And of course, you can download Bolivia's individual tracks from this link:




Here are Track Listings for episode 334:

01. Slam - Viginti Quinque (Original Mix).
02. Andrea Rivi - My Weapon (Original Mix).
03. Cari Golden & Reinier Zonneveld - Things We Might Have Said (Original Mix).
04. Jason Rivas - Tribaleah (Jason Rivas' Organic Noise from Ibiza Club Mix).
05. Timid Boy - My Number 3 (Shosho Remix).
06. Matt Sassari - Sauron (Original Mix).
07. Joseph Gaex - Rengab (Original Mix).
08. Mike Vale & Kevin McKay - Control (Original Mix).
09. Dream Stalker - Diffusion Network (Genius Road Techno Remix).
10. Green Velvet & Riva Starr - You Are Beating (Paul C & Paolo Martini).
11. Enrico Sangiuliano - Moon Rocks (Original Mix).



Here are links to either personal websites, Facebook pages, or [usually] the SoundCloud pages for a few of the original artists and remixers/producers listed above.



Slam (Scotland)
Andrea Rivi (Italy)
Cari Golden (United States)
Reinier Zonneveld (Netherlands)
Jason Rivas (Spain)
Timid Boy (France)
Matt Sassari (France)
Joseph Gaex (Nicaragua)
Mike Vale (Slovenia)
Kevin McKay (United Kingdom)
Dream Stalker (Russia)
Green Velvet (United States)
Riva Starr (United Kingdom)
Enrico Sangiuliano (Italy)
Jason Rivas (Spain)
Shosho (Bulgaria)
Paul C & Paolo Martini (Italy)



Subterranean Homesick Grooves is a weekly specialty EDM music show with a basic weekly audience base of about 1500 listeners per week through podcasting, direct downloads, and distribution on a small number of internet-based radio networks, plus another hundred or so listeners through SoundCloud, and an unknown number of listeners through terrestrial FM broadcast. If you're a radio station programming director, and would like to add Subterranean Homesick Grooves to your regular programming lineup, contact djbolivia@gmail.com for details. We currently release SHG as an advance download to a number of stations globally on a weekly basis (at no charge), and we welcome inquiries from additional outlets.


We also have a file containing complete track listings from all of DJ Bolivia's radio shows, studio mixes, and live sets. The PDF version can be viewed from within your browser by clicking directly. Both the PDF and the Excel versions can be downloaded by right-clicking and choosing the "save link as" option:

View as PDF file: http://www.djbolivia.ca/complete_track_history_djbolivia.pdf
Download Excel file: http://www.djbolivia.ca/complete_track_history_djbolivia.xlsx






Follow Jonathan Clark on other sites:
        SoundCloud: soundcloud.com/djbolivia
        YouTube: youtube.com/djbolivia
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