Showing posts with label deep. Show all posts
Showing posts with label deep. Show all posts

Wednesday, February 22, 2017

Tree Planter Training 15 - Meeting Quality Requirements

Although this blog is predominantly focused on my music and DJ’ing career, I also want to share some information about my other career:  Canadian Reforestation.

The information in this post is part of a training series from the Replant.ca website.  More information can be found at this link:



I’ll put the text and audio download link from this training module below, but let’s start with the YouTube video for the module:




Section 15 - “Meeting Quality Requirements”

In this section, we're going to learn about Quality Assessment systems.  If you don't plant your trees to a certain quality standard, your company will be penalized, which means that you're going to have a problem to deal with.  We'll talk about why quality assessment systems exist, and we'll take a detailed look at BC's most predominant quality assessment system, the FS 704 system.


When you start work, you'll probably be confident that it will only take you two or three days to master planting.  You couldn't be more wrong.  First, although you'll be able to grasp the very basics of how to plant trees within a few days, planting trees to the quality standards required of you is a challenge.  Your trees will be checked constantly during your training period.  Usually your foreman or instructor will check almost every one of your trees, especially as you're starting out.  In the long term, however, not every tree is checked.  Random sample plots will be taken instead, but this doesn't mean that you don't have to worry as much about your quality.  If your trees don't meet the minimum acceptable quality levels, you may have to fix them, so your company doesn't end up getting penalized.  In some places, only certain quality faults can be corrected after the fact, so you might not be permitted to dig trees up for a second chance.

The implications of poor quality are varied.  Most planting contracts stipulate that the pay that your company receives is dependent on the quality of the trees that you plant.  Depending on the quality system in effect, very complex formulas determine the company's rate of pay.  Above a certain point, usually above 92.6% in BC, the company is deemed to have achieved full payment, and receives 100% of the tree price that was originally contracted for.  If the quality on the block falls below the percentage for full payment, the pay rate starts to drop very quickly as the quality drops, with blocks under 85.0% quality often being designated as no payment.  So in other words, if your crew plants roughly fifteen percent of your trees improperly, you run the risk that your company doesn't get paid at all for the block.  That's a big problem.

No matter what, your employer is not legally allowed to pass financial penalties for non-payment along to their planters.  You, as a planter, will be paid in full, 100%, assuming that you actually planted the claimed number of trees.  However, in a situation where financial penalties are being assessed against your company, the company definitely has a way to deal it: you must plant your trees according to certain minimum standards, or you'll be fired.  It sounds like a pretty harsh environment to work in.  It is.  What makes things even worse is that as you move from contract to contract, you'll find quality standards enforced to varying degrees, and different faults or problems will be emphasized in different areas.  It's enough to drive a person crazy, trying to figure out if you're doing things the way that the foresters want, or at least good enough to pass.

Determining quality is a very, very inexact art, even though it's based on a detailed mathematical science.  Quality results depend on the system used, the interpretation of various rules in place, the location of random sample plots, the mood of the checker or forester at the time that the trees are checked, and a dozen other variables.  We're going to touch on common reasons for individual trees to be faulted, common variations on the key systems, and how to mitigate situations that work against planters.  I'll also touch on the impact of density on quality, although a lot of that will be left for the section that talks about Density.  By the end of this section, you'll realize that when it comes to quality, many things are not set in stone.  There are often many shades of grey.


FS 704 System Overview

Within British Columbia, the FS 704 system is a provincial standard.  It was developed by the BC provincial government, and therefore, it applies on all Ministry and BCTS jobs.  Many private mills and licensees have also adopted this system as being relatively simple to use, yet versatile enough to meet a variety of complex quality assessment issues.  Instead of trying to explain various other systems as stand-alone entities, it's usually easier just to explain where they differ from the 704 system.  By the way, if you're wondering where the name came from, I have no idea.

To give you a bit more background on the 704 system, it was originally developed in the 1980's.  There have occasionally been major revisions to the system since then, especially in 1989 and 2012.  Some of the items that were considered to be faults in the original system are effectively considered to be non-issues in the modern industry.  The mindset of planting in the 1980's, when it was usually mandatory for trees to be screefed fastidiously down to pure mineral soil, was turned on its head in the mid-1990's with the introduction of LFH and FH planting.  And of course, some scientific beliefs which were common at the time are no longer subscribed to by the majority of foresters.  However, those are just a few thoughts on the system as a whole.  There are major differences in the approach taken throughout British Columbia, even though the 704 system as a whole can encompass those variations.


Throwing Plots

Within the 704 system, quality is measured by taking a series of sample plots.  Each plot is taken by counting the number of trees and studying the placement of seedlings within an area that contains 50 square meters.  This area is exactly 1/200th of a Hectare, because a hectare has 10,000 square meters.  To take a plot, a person uses a plot cord which is 3.99m long.  The cord is affixed at one end to the center of the plot to be taken, usually by looping it over a shovel that's stuck in the ground at plot center.  The person then swings the cord around in a complete circle.  Everything that falls inside the circle outlined by the tip of the cord is considered to be part of the plot.

You may wonder why the cord is 3.99 meters long, instead of exactly 4.00m.  It's because that's the length required to get an area of 50 square meters.  The formula for the area of a circle is pi * r2, so in this case, 3.1415 * 3.99 squared is 50.0 square meters.  You may also wonder why fifty square meters is important.  It's because this number was just picked as an arbitrary standard.  It equals 1/200th of a hectare, but the system could just as easily have used a plot cord length of 5.68 meters, which would give a plot of 100.0 square meters or 1/100th of a hectare.  In fact, the plotting system for brushing or spacing is often based on a plot cord of 5.68m, but someone just decided one day that the 704 system for planting would use a plot size of 50 square meters, so 3.99m plot cords are used, and that was that.

Let's examine why we're measuring 1/200th of a hectare.  The reason is simple: because it saves work.  A checker could certainly use a quality measurement system whereby every single tree is checked, and this would result in an accurate assessment of the quality of the block.  However, it would be a lot of work to check every single tree on an entire block.  The checker would rather just check some of the trees and get a rough idea of approximately what the quality is equal to.

You might wonder at this point if the entire quality of the whole block is dependent upon this one plot, but that's not the case.  Although the checker doesn't want to measure all of the trees, he or she does have to measure a sufficient number to be assured that they have a statistically accurate approximation of the quality.  Checking just one plot wouldn't give you that accuracy.  What if the plot was thrown in a really tough or a really easy part of the block?  It would be biased.  Or what if the plot landed in an area where a planter was having a bad morning and put in a high number of faults, but then corrected the problem and planted nearly perfect trees on the rest of the block?  In either case, using a single plot would lead to misleading results.  Quite a few plots have to be thrown to come up with the statistical accuracy that we are looking for.

Within the 704 system, a checker is required to throw a minimum of five plots on any block that is five hectares in size or less.  The checker is required to throw one plot per hectare on any block measuring between five and one hundred hectares.  If the block is larger than a hundred hectares, the checker is allowed to throw one plot for every two hectares.  I won't go into the exact mathematics behind these requirements, but anyone who's ever taken an advanced statistical measurement course would understand the background behind this next bit of information:  if a checker throws the correct number of plots as just outlined, and if the plots are truly random and dispersed evenly, then the quality measured by the 704 system will be within 5% of the true quality of the block (as if every single tree were assessed individually), nineteen times out of twenty.  So in other words, the sampled quality results of the 704 system, when applied properly, are “good enough.”

Some of you will now say, “Wait a minute, what happens in that one time out of twenty when the quality IS off by more than five percent, and the statistically measured quality happens to be lower than the true quality?  Doesn't that hurt the company by giving an incorrect low quality assessment, which means a lower rate of pay?”  Yes, that's true.  That's why the system builds in a payment tolerance factor of about eight percent to compensate for statistical aberrations.  So to make a long story short, because I want to avoid paragraphs of additional detailed information about statistical analysis, you can get away with planting slightly less than 100% acceptable trees and still get paid 100%, because the system does not want to discriminate against companies due to the sampling error.

Now you know the basics.  To take a plot, swing a 3.99m cord around a shovel, count the trees within the circle, then figure out how many are good and how many are bad.  Do that as many times as the 704 system asks you to, which is a plot count that's based on how big the block is.  Add all the plots together, come up with a quality percentage, and that quality percentage determines what your company gets paid.  You don't have to memorize all of this, you just need a rough understanding of how the system works.  What you do need, however, is a perfect understanding of the ways that your trees can be faulted.  Let's get into that next.

Within the FS 704 system, there are approximately two dozen separate fault types listed.  Some of them are more prevalent in the field than others.  They're divided into three groups.  The first group, the "A" group, are faults relating to Damage to Seedlings.  These are bad, very bad.  I rarely see these on plot sheets.  The second group, the "B" group, are associated with Microsite Selection, which of course refers to where you picked your spots for your trees.  Pick a good spot, and you can't get faulted with this group.  The final group, the "C" group, consists of faults related to the actual Planting Quality.  Several of these faults are unfortunately seen on plot sheets fairly commonly.

Let's look at each of the two dozen faults individually.


Specific Faults – Damage To Seedlings

First, let's cover the five assessments in the "A" group of FS 704 faults, all of which relate to damage to the seedling being examined.

A1 – Broken, Cut, or Damaged Roots.  This fault occurs when you physically damage the roots or plug of the seedling.  The most common way for this to occur is if you push the plug into a hole with your shovel blade, and slice the roots.  Since we teach people not to do this, it's not a common fault to see.  Tuck the roots in with your hands.

A2 – Broken Top.  When the top is broken off a seedling, it will lose a full year of growth, assuming that
it even survives.  Be careful when pulling trees from your planting bags.  Don't grab them by the top.  Grab them by the stem and plug simultaneously.

A3 – Scarred Stem.  This damage might occur if you kick the hole closed and accidentally kick the tree at the same time, removing some of the fragile bark or otherwise damaging the stem.

A4 – Wasted Tree.  A wasted tree is one that's not properly planted.  Commonly, this fault is used to indicate when you drop a tree onto the ground and don't notice.  Remember that none of the "A" Group faults that we've looked at so far show up on plot sheets very often.

A5 – More than One Tree in a Hole.  This is a fault that I've almost never seen on a plot sheet.  It's very difficult to plant two trees in a hole unless you're doing it intentionally.  Twenty years ago, it was common to plant very tiny trees that came with as many as a thousand trees per box.  Frequently, this was bare-root stock.  With stock that was that small, sometimes the roots of a couple trees could stick together tightly, and when you pulled them out of your bags, you didn't notice that it was actually two trees.  You'd have to be really negligent not to notice this happening with the larger stock that we plant today, so this fault is extremely rare.


Specific Faults – Microsite Selection

Next, let's cover the eight assessments in the "B" group of FS 704 faults, all of which relate to the microsite selection of the seedling being examined.

B1 – Too Close.  If a pair of trees are planted closer together than the contract's "minimum spacing" requirement, then one of the two trees is considered to be faulted as "too close."  This is the only spacing problem that can get directly listed as a quality fault.  Note that both trees are not faulted, under the rationale that if you removed one of the close trees from the plot, the remaining tree would be fine.  This is a fairly common problem on plot sheets if planters are not paying careful attention to their spacing.

B2 – Too Wide (Not A Fault).  This again is a spacing issue, but a very curious one.  Spacing that is too wide is NOT considered to be a fault.  This is the only example of the two dozen so-called faults that doesn't actually have a direct negative impact on the quality percentage.  It's only included in the list of faults, and recorded on the plot sheet, as an "explanatory item" to clarify why there were less trees in the plot than the target number.  If this code is not recorded, then it would be assumed that the low number of trees planted is due to a "missed spot" which DOES count against quality.  Be aware, however, that even though consistent wide spacing does not get recorded as a quality fault, it will still ultimately cause problems with low density when density results are being assessed, and there can be penalties in that separate process.

B3 – Overhead Obstacle.  As a tree grows, it needs to grow into open space vertically.  If you plant a tree underneath the branch of another tree, or under a large piece of slash, there could be problems as the tree grows.  Eventually, the top of the tree is going to hit the obstacle above it, so the tree will have to try to grow around the obstacle.  This is bad for commercial value, plus there's the risk that as your tree sways in heavy winds, the top of your tree will be damaged and it will fail to keep growing.

B4 – Medium Too Shallow.  This happens when the depth of the acceptable planting medium is insufficient.  For example, consider a contract which specifies that the plug must be in 100% mineral soil.  Let's assume that the planter is working on mounds that were created when a piece of sod was flipped upside down by an excavator.  If the planter puts the seedling in the middle of the upturned mound, the plug will probably be in 100% mineral soil.  If the planter puts the seedling at the edge of the mound, it's possible that there might not be enough dirt there, and the roots and plug end up planted partially in the grass layer of the upturned sod.  In that case, the planting medium was too shallow.  Another example could be when there's just an inch or two of dirt covering a sheet of slate rock, and the planter tries to compress the plug in that narrow layer of dirt.

B5 – Too Dry.  Planting medium that's too dry is anything that is so well drained that it doesn't regularly hold sufficient moisture.  If you're planting in a microsite full of gravel, any water that reaches that gravel will filter through and seep away, and won't stay there to benefit the plug.  On the other hand, if you're planting in good planting medium and the weather is hot and dry for a couple weeks, and the ground dries out, you won't be faulted for that.  Ground that dries out because of a temporary weather condition is beyond the control of the planter.  A tree planted in loose gravel, which is perpetually dry, should have been planted elsewhere.

B6 – Too Wet.  Determining what is "wet but ok" and what is "too wet" is a bit of a gray area, and your forester will attempt to provide clarification.  After all, the moisture content of the ground at the time of planting can be very different than the moisture content two weeks later when the block is checked.  The general rule is usually that if you open a hole and, at the time of planting, it immediately fills up with water to the surface, the area is too wet.  You should look for a higher microsite, above the water table.  If the ground is fairly wet and makes a big sucking sound, but takes five or six seconds to fill with water, or only partially fills, the forester might consider the spot to be Ok.  Ask your foreman for clarification, as this fault will be interpreted slightly differently on every contract.

B7 – Poor Microsite Selection.  This fault is recorded when the planter simply made a bad choice for a microsite, which is not covered by one of the other faults.  For example, on a contract that specifies that trees must be planted in high spots, if a tree is found to be planted in a low spot while just twelve inches away there's a beautiful high microsite that could have been used, you'll probably be assessed with this fault.  This fault is probably more common on plot sheets than most of the other "B" Group faults, although it's still not too common.

B8 – Poor Planting Medium.  This fault refers to unacceptable planting medium.  On a number of contracts, organic soil may be considered to be an acceptable or even preferable planting medium.  However, the forester may say that although organics are encouraged, any non-decomposed organics, such as chunky red rot, are unacceptable.  So if you then plant a tree in non-decomposed organics, you would be assessed with this fault.


Specific Faults – Planting Quality

Finally, let's cover the eleven assessments in the "C" group of FS 704 faults, all of which relate to the actual quality assessment of the seedling being examined.

C1 – Inadequate Microsite Preparation.  If you have screefing requirements that you're not meeting, it would be a good example of inadequate microsite preparation.  For instance, if the contract specified that you needed a 20cm x 20cm screef and you were only making 10cm x 10cm screefs, you'd be faulted on each screef.

C2 – Improper Position.  Improper position can arise when your tree is in the wrong spot on site prep or in a screef that you've prepared.  For instance, if you're asked to plant your trees at or above the hinge on a trenched block, and you plant all of your trees in the bottom of the trench, they'll all be faulted.  If you're asked to make a 10cm x 10cm screef and you do so, but you plant the tree at the edge of the screef, touching the grass, then you'll be faulted for not having planted the tree in the center of your screef.  This can be a moderately common fault on some plot sheets, especially if planters get lazy or don't understand the specs.

C3 – Improper Roots.  Improper roots are roots or a plug that are not straight and vertical.  Usually, the term "J-Root" is used to describe a plug that's bent.  Roots that aren't straight will not grow as quickly and effectively, because they'll be putting some of their energy into straightening out rather than growth, which compromises the ultimate success of the tree.  Even if the plug is straight, if it's at an angle in the ground, rather than vertical, it's considered to be a problem.  This is probably the worst possible fault to find on a tree, and it's very important for planters to learn good technique in the beginning to ensure that roots are planted properly.  Your instructor or foreman should pay very close attention to your planting technique, and dig up some of your trees to check your results.  Always make sure you have your fingers on the bottom of the plug, so you'll know just by feel that the roots are good.

C4 – Exposed Roots.  This fault is a bit of a holdback from the days when most of the trees planted in BC were bare-roots, not plugs.  If some of the roots were planted properly in the hole, but some root strands stayed out of the hole and were left exposed on the ground, this fault would apply.  This fault is rarely seen on plot sheets anymore.

C5 – Tree Not Straight.  Trees grow best when they grow vertically.  If your trees are leaning over, the trees need to put some of their energy into straightening out, rather than growth.  Of course, they'll straighten out on their own in a few weeks, thanks to a process called phototropism, but this means that vertical growth hasn't been optimized.  If you hear a reference to a "leaner," it refers to a seedling that's leaning.  It's a really good idea to plant straight trees.  A big part of quality assessment is perception.  If a forester walks into your piece and sees straight trees everywhere, he or she will assume that the planter cares about their work, and is less likely to dig around, looking for problems.  If a forester sees lots of leaners, he or she is likely to be annoyed and will do a more thorough examination of the planting, and is more likely to discover faults.  If you want to keep the forester off your back, plant nice-looking straight trees.

C6 – Improper Shading.  This is a fairly rare fault.  An example might be when planting directly beside a large boulder, on the north side of the boulder.  Direct sunlight won't hit the tree very often.  If the planter had moved the tree a few feet to the side of the boulder, more sunlight might hit it, which would be better for the growth of the tree.  Thus, this fault could apply.

C7 – Air Pocket.  There used to be a couple different faults relating to air pockets.  The first was an "underground cavern" type of air pocket, where the ground surface was sealed, but the roots of the tree were dangling in a small cavity.  The second type occurred when the hole was not properly closed, and therefore air could leak down from the surface along the side of the plug, which tends to dry out the plug and kill the tree.  Foresters often referred to this latter type of air pocket as a "hole not closed."  Eventually, the FS 704 system changed.  Underground air pockets are no longer a big focus, because they're really hard to identify.  Also, if the ground is sealed at the surface, there's not as much risk of desiccation, or drying out of the plug.  The modern focus is upon making sure that the hole is closed properly.  This fault can appear fairly commonly on plot sheets, especially in grass mat, if planters are not taking care to close their holes properly.
 
C8 – Too Loose.  If a hole is closed properly, it's fairly unlikely that you'll have problems with this fault.  To check to see if a tree is too loose, a forester will grab onto two or three needles and give a very light tug.  If the tree pops out of the ground, then it's too loose, and a bit more pressure should have been exerted when closing the hole.  This fault is not very common on plot sheets.  It usually only results when holes are not closed properly, therefore, it would be more common to see a C7 fault than this one.

C9 – Too Shallow.  If the depth of the tree is insufficient, you'll see this fault.  The depth requirements can vary significantly from contract to contract, and your foreman will communicate the specs to you.  This is by far the most common fault for first-year planters as they're learning to plant.  In most places, if there's going to be some leeway in the depth requirements, foresters would rather see a tree planted slightly too deep instead of slightly too shallow.  A shallow tree runs a high risk of desiccation in the plug.  After you plant your tree, give it a little twirl and make sure that you can't see the top of the plug.  If you can, chances are on most contracts that it's probably too shallow.  This can be a common fault.

C10 – Too Deep.  This is pretty obvious, as it's the opposite of a tree being too shallow.  If you don't have the absolutely perfect depth, most foresters would probably rather see your tree as being a bit too deep rather than too shallow.  Just don't overdo it.  If the bottom laterals of the seedling are underground, you're probably planting too deep.

C11 – Unacceptable Backfill.  When you close a hole, the planting medium matters.  If you have a seedling planted in a hole and the plug is completely surrounded by a good mix of mineral soil and/or organics, and then to close the hole you stuff it full of dried grass and twigs, then obviously the forester will not be pleased.  This is not a very common fault on the plot sheets.


Depending on the client, it's possible that they'll have a quality system of their own, rather than using the FS 704 system.  It's also possible that they'll use most of the elements of the FS 704 system with just a few modifications.  No matter what system is in use, the types of faults that can be assessed will be very similar to the list of faults that are possible under the 704 system.  If you understand all the faults that we just talked about, coupled with information about the required specs for the blocks that you're working on, you'll have a great understanding of how to plant a proper tree, no matter where you are in the province.




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Here’s an Audio version of this material, in case you want to listen while you’re driving, running, at work, or otherwise unable to read or watch video:




Click on the down-arrow icon in the upper right corner of the SoundCloud widget to download the mp3.


Once again, for further information about this series of tree planter training information, visit:



I encourage you to share this information with anyone else who might be interested.  Thanks for your interest and support!

-          Jonathan “Scooter” Clark





Friday, January 24, 2014

This Is Our Dream House, Volume 05

Here's a project that I started a few months ago, but only finally got time to finish up this week. It's another volume of my "This Is Our Dream House" series of deep house mixes.






For those of you who aren't normally into EDM (electronic dance music), you might be curious to know the differences between my regular style of progressive/tech-house and this deep house mix. Actually, there aren't always a lot of obvious differences, because I usually lean a bit more towards the techy side of deep house than the pure organic stuff. So at first, this might just sound a bit like my usual style, but slower. But that would be far from accurate - the deep house in this set can be identified by a few significant differences. First, on most of the tracks, the instrumentation is often jazzier, ie. there will be Rhodes or Wurli keyboards, more horns, brass, more clean guitar sounds, and more jazzy/bluesy vocals. Also, the tempo of this set is down around 120-121bpm, whereas my mainstream club sets and radio shows are usually around 126-130bpm.


Here are the track listings:

01. Nicole Graham, Harley & Muscle, "Just Breath" (Original Mix).
02. Nigel One & Junebugg, "PLH" (Original Mix).
03. Retrosynco, "Get Hyped" (Original Mix).
04. Treboles, "Heat Of The Beat" (Havens & Hart Mix).
05. Nathan G, "ReConnect" (Original Mix).
06. Transitive Feelings, "Sahel Road" (Original Mix).
07. Joe Krosher, "Sunrise" (Original Mix).
08. CJ Biggs & Rowena De Los Reyes, "I Wanna Dance" (Original Mix).
09. Sakro, "You Belong To Me" (Original Mix).
10. Mighty Real, "Neva Be Afraid" (Original Mix).
11. Bruno Limma, "Too Much" (Original Mix).
12. Inkfish, "Pause Stop Rewind" (Original Mix).
13. Cilongo, "Glowing Vibe" (Original Mix).
14. Jazzman Wax & Iban Montoro, "Listen My Eyes" (Original Mix).
15. Giuliano Rodrigues, "Progress" (Original Mix).
16. THC, Jazzman Wax, Iban Montoro, & Javi lvado, "Sweet Underground" (Original Mix).
17. Daniel Yanov, "Promiscuous Lawyer, Lovely Ankles" (Original Mix).
18. Orhan Demir, "51 Percent" (Original Mix).
19. Siblings feat Adama, "Am Losing All My Senses" (Original Mix).
20. Oliver Schories, "Go" (Original Mix).
21. Francisco Allendes & Paola Poletto, "Indigo" (Hector Remix).
22. Louis Tone, "Sometimes Techno" (Original Mix).
23. Kornel Halasz, "Inside Out" (Original Mix).
24. Nu Sky & Eskuche, "Detroit" (Original Mix).
25. Vincent Kwok, "Afrique" (Original Mix).
26. Bobby Gasparakis, "Tension Care" (Original Mix).
27. Special Key, "Do It" (Original Mix).
28. Lena Cherry& Kulibin, "Imagination" (Original Mix).
29. Nana K, "People & Spirits" (Original Mix).
30. Jonny Bee, "One More Chance" (Original Mix).
31. Kruse, Nuernberg, & Teenage Mutants, "Love Ain't Free" (Jiggler Remix).
32. Alexander B, "Darina" (Original Mix).
33. Random Classes, "Pleasant Surprise" (Original Mix).
34. Over Range, "Groove The Day" (Original Mix).
35. Najwars, "Delta Inflections" (Original Mix).
36. Felipe Santini, "Hot Dance" (Original Mix).
37. Roberto Carbonero, "God Save The Deep" (Deependence Mix).
38. Nivek Tsoy, "Dishwasher" (Original Mix).
39. Analogiques, "Cromie" (Original Mix).
40. Barabar, "Loops & Grooves" (Original Mix).
41. Worakls, "Good Night My Love" (Original Mix).
42. Booka Shade, "Love Inc" (Booka's Deep Inc Mix).
43. Veterans, "Driving All Night" (Original Mix).
44. Darko De Jan, "In The Run" (Jerome Robins Deep Mix).
45. Ba2la feat Maia, "Saxo" (Original Vocal Mix).
46. Kyle Watson, "Fumes" (Original Mix).
47. Bruno Costa, "Lirios" (Original Mix).


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Monday, October 1, 2012

This Is Our Dream House, Volume 04

Here we go with another volume of the "This Is Our Dream House" series of deep house mixes.

After being pretty busy since April with contract work on Canada's west coast, I'm looking forward to being able to work on music and videos a lot more over the fall and winter months.






For those of you who aren't normally into EDM (electronic dance music), you might be curious to know the differences between my regular style of progressive/tech-house and this deep house mix. Actually, there aren't always a lot of obvious differences, because I lean a bit more towards the techy side of deep house than the pure organic stuff. So at first, this might just sound a bit like my usual style, but slower. But that would be far from accurate - the deep house in this set can be identified by a few significant differences. First, the instrumentation is often jazzier, ie. there will be Rhodes or Wurli keyboards, more horns, brass, more clean guitar sounds, and more jazzy/bluesy vocals. Also, the tempo of this set is down around 119-120bpm, whereas my mainstream club sets are usually around 128bpm and my radio shows are usually 129-132bpm.


Here's a track listing:

01. Ahmet Mecnun, "Berlin Reisen" (Original Mix).
02. Kolombo, "Whatever U Like" (Original Mix).
03. Finnebassen, "What You Do" (Original Mix).
04. Klangkarussell, "Sonnentanz" (Original Mix).
05. Kate Simko & Jem Cooke, "Go On Then" (Original Mix).
06. Mikkel Vadsager, "Uninvited" (Original Mix).
07. David Devilla & Eli Lop, "Mystical Land" (Original Mix).
08. Dan Martin, "Le Bar De Plage" (Original Mix).
09. Higinio, "Hunting My Dreams" (Original Mix).
10. Dporto, "24 Days" (Original Mix).
11. Hamid feat Valentina, "If I" (Original Mix).
12. Bjorn Storig, "The Return Of The Trompetenfrosch" (Original Mix).
13. Ry & Frank Wiedemann, "Howling" (Ame Remix).
14. Franksen & Redux, "Think" (Original Mix).
15. Hunter & Game, "Don't Feel The Presence" (Original Mix).
16. Audictive, "Cold Mind" (Original Mix).
17. Candi Staton, "Hallelujah Anyway" (Larse Vocal).
18. Andre Crom, "Reality" (Dusky Remix).
19. Hk, "Underground Rainbow" (Original Mix).
20. Floska, "Tears" (Original Mix).
21. Mani Rivera, "Good To Me" (Original Mix).
22. Matt Tolfrey & Geddes, "Back And Forth" (Original Mix).
23. Matthieu Duchesne, "Afternoon In The Garden" (Dilby Remix).
24. BLiv, "A House Prayer" (Original Mix).
25. Meloder, "Take You" (Original Mix).
26. Liam Dee, "808 Rollerz" (Original Mix).
27. Roni Be, "Reborn" (Original Mix).
28. Robosonic, "Over" (Original Mix).
29. Telmo, "Some Nice" (Original Mix).
30. MatJoe, "Safe Flight" (Audiojacks Closed Eye Hallucination).
31. Tom Lustig, "Catch The Move" (Original Mix).
32. Audiojack, "Plastic Dreams" (20 Year Tribute).
33. Supernova, "I Can't Do Without You" (Original Mix).
34. PM, "That Is The Issue" (Dimitry Liss Take On).
35. Prompter, "Vuelo" (Original Mix).
36. Florence & The Machine, "Spectrum" (Maya Jane Coles Remix).
37. Nicky Shah, "Freak" (Original).
38. Vittorio Santorelli, "2Night" (Original Mix).
39. NiCe7, "Space Needle" (Original Mix).
40. Secret Society, "Our Society" (Original Mix).
41. Monte, "True" (Original Mix).
42. Philipp Ort, "Knight" (Original Mix).
43. Smirconia, "El Sol" (Original Mix).
44. Tennis & Pillow Talk, "The Outcast" (Morgan Geist Mix).
45. Luis Armando & J Hecht, "2am Adventure" (Original Mix).


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Thursday, April 5, 2012

This Is Our Dream House, Volume 03

And here we go with another volume of the "This Is Our Dream House" series of deep house mixes.

This volumes includes the initial version of a track that I started to put together this past weekend, which I'm calling "Rumble Beach." It isn't entirely a deep house track, since it's fairly tech-house influenced, but it feels to me like it fits into this mix appropriately. At some point in the next couple of weeks, I'll put a post up on my blog and make it available to listeners as a SoundCloud download, and I'll probably also put the Ableton project files online, in case any of the producers out there want to download it and play with remixing it.






For those of you who aren't normally into EDM (electronic dance music), you might be curious to know the differences between my regular style of progressive/tech-house and this deep house mix. Actually, there aren't always a lot of obvious differences, because I lean a bit more towards the techy side of deep house than the pure organic stuff. So at first, this might just sound a bit like my usual style, but slower. But that would be far from accurate - the deep house in this set can be identified by a few significant differences. First, the instrumentation is often jazzier, ie. there will be Rhodes or Wurli keyboards, more horns, brass, more clean guitar sounds, and more jazzy/bluesy vocals. Also, the tempo of this set is down around 119-120bpm, whereas my mainstream club sets are usually around 128bpm and my radio shows are usually 129-132bpm.



Here's a track listing:

01. Tapesh & Dayne S, "Leadbelly" (Original Mix).
02. Audiojack, "Polka Dot Dress" (Original Mix).
03. Naiad, "Lond On" (Original Mix).
04. Reda Dare, "Your Eyes" (Original Mix).
05. Steve Banks, "Push" (Original Mix).
06. Antonio Santana, "Epileptia" (Original Mix).
07. Dominic Martin, "Bling" (Original Mix).
08. DJ T feat Khan, "Leaving Me" (Clockwork CW Remix).
09. Huxley & Russo, "Reality Check" (Original Mix).
10. Bolivia, "Rumble Beach" (Campbell River Instrumental).
11. Danny Daze & Matches, "If This" (Original Mix).
12. Yakine, "Last Harmony" (Jef K & Gwen Maze Remix).
13. Hunter & Game, "Touch Me" (Original Mix).
14. Pawn Shop People, "Streetsmart" (Original Mix).
15. Evren Ulusoy, "I Love You But I've Chosen Synthesizers" (Edwin & Ferdy Deep Dub).
16. Larse, "So Long" (Original Mix).
17. Redondo Sideburn & MC Chase, "Can't Keep Up" (Original Mix).
18. Tiger Stripes, "Trip Me" (Original Mix).
19. QMUSSE, "Lajos" (Le Vinyl Remix).
20. David Ortiz, "Always" (Original Mix).
21. Tony S, "Sub Rosa" (Original Mix).
22. Dale Anderson & Anil Chawla, "Leftorium" (Philipp Ort Remix).
23. Refresh Italy, "In The Sky With You" (Original Mix).
24. Hamid feat Valentina, "If I" (Jay Shepheard Remix).
25. Namatjira, "Moranbah" (Original Mix).
26. Tim Points, "Tierno" (Original Mix).
27. Chris Mil, "Step Into Deep" (Kyka Remix).
28. Naiad, "Humanize" (Original Mix).
29. Antonio Santana, "Moroko" (Original Mix).
30. Rhadow, "Sometimes" (Original Mix).
31. Michael Mclardy, "Blinded By Youth" (Le Vinyl Remix).
32. Paul Mad, "Lies" (Lula Circus Remix).
33. Wildkats, "Perpetrating" (Original Mix).
34. Terrence Parker, "Love's Got Me High" (Jimpster Remix).
35. Nacho Marco, "Majo" (Original Mix).
36. Shaboom, "If You Need Me" (Langenberg Vocal Mix).
37. Flight Facilities feat Jess, "Foreign Language" (Will Saul & Tam Cooper Remix).
38. Ian Pooley & Spencer Parker, "Feel The Same" (Original Mix).
39. Marius Laurentiu & Andrea Bigi, "Behind A Mirror" (Original Mix).
40. Emde & Julio Italy, "A Little Bit" (Original Mix).
41. Maceo Plex, "Can't Leave You" (Tale Of Us Remix).
42. Noir & Haze, "Around" (Subban Remix).
43. Manik NYC, "House Of Flies" (Original Mix).
44. Kruse & Nuernberg, "Daze Without You" (Original Mix).


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Thursday, January 12, 2012

This Is Our Dream House, Volume 2 (Deep House Mix)

Do you enjoy listening to deep house? Well, judging by the phenomenal positive response to my first "This Is Our Dream House" mix, there must be a lot of fans out there.

I started to put this mix together in November, but of course got distracted with some other projects over the holidays in Canada. I was going to add a deep house track that I've been working on with David Anthony, but I decided this morning that I should put that track on the next instalment of this series instead, so I could publish this mix today. There's no point including the track that Davy and I are working on unless the video for the track is also ready.





For those of you who aren't normally into EDM (electronic dance music), you might be curious to know the differences between my regular style of progressive/tech-house and this deep house mix. Actually, there aren't always a lot of obvious differences, because I lean a bit more towards the techy side of deep house than the pure organic stuff. So at first, this might just sound a bit like my usual style, but slower. But that would be far from accurate - the deep house in this set can be identified by a few significant differences. First, the instrumentation is often jazzier, ie. there will be Rhodes or Wurli keyboards, more horns, brass, more clean guitar sounds, and more jazzy/bluesy vocals. Also, the tempo of this set is down around 118-120bpm, whereas my mainstream club sets are usually around 128bpm and my radio shows are usually 129-132bpm.



Here's a track listing:

01. Dich, "My Roots" (Night House Mix).
02. Oren Peters & Carlos Hdez, "You Like It Like That" (Original Mix).
03. Rishi K, "Night Owl" (Colin Shelton & Kronstadt Impulse Remix).
04. MC Mariolino & Denny Loco, "Back To Old School" (Original Mix).
05. Master H & Francois Dubois, "Rise" (Original Mix).
06. Memphis, "Malcom Says" (Original Mix).
07. Fred Hush & Cynthia Queenton, "I'm Alone" (Original Mix).
08. Sinan Kaya, "Watch Yourself" (Dale Howard Remix).
09. Urban Jazz Provider, "Blue Midnight Dub" (Original Mix).
10. Mark Mansion, "What's First" (Original Mix).
11. YSE feat Frank H Carter III, "Guessing Games" (Giom Remix).
12. Yohan Esprada, "Love Story" (Original Mix).
13. Sweet Sound, "Empty City" (Ev Darko Remix).
14. Xavi Zenith & JSanz, "Acid Black Lemon" (Original Mix).
15. Tetchy, "Between The Lines" (Original Mix).
16. Big Al & Soul Collective feat Dania, "Shy" (Lemon Popsicle Remix).
17. MidiDropMusic, "Bubalicious" (Original Mix).
18. Gabriel Marchisio, "Zulu" (Original Mix).
19. Fabien Kamb, "Gotta Keep Goin" (Original Mix).
20. The Pressure & The Quasar, "Take Me Over" (Gorge Remix).
21. Hans Thalau, "0101" (Original Mix).
22. The Black Dubs, "Take Your Time" (Jordan Fields Tokyotronic Version).
23. Javi Viana & Miguel Garji, "Smokin Red" (Original Mix).
24. Kitar, "Old Memories" (Original Mix).
25. Evren Ulusoy, "Bachelor Party" (Kruse & Nuernberg Remix).
26. Stride, "Isis" (Original Mix).
27. Joyce Muniz feat Sketch, "Malicia" (Original).
28. Krystian Shek & Surya, "Pasadena" (Sascha Reder Remix).
29. Beppe Gioia, "Music" (Original Mix).
30. Terry Lee Brown Junior, "Baltimore" (Original Mix).
31. CengoMusic, "Afterglow" (Original Mix).
32. Ezlv, "Nepean Island" (Original Mix).
33. Yvel Tristan & Chriss Of The Quasar, "A Miracle Man" (Ellroy & Steven Caicedo Remix).
34. Yann Solo, "Pacotille" (Original Mix).
35. Teva, "Peace Of Mind" (Original Mix).
36. Alvaro Mugica, "Christianity Home" (Original Mix).
37. 11 Inch, "Funky Drummer" (Original Mix).
38. Jayden San, "Different Things" (Nikola Gala Remix).
39. Mike Montano, "Ethnic Breeze" (Original Mix).
40. Jin Choi, "Half Baked" (Maceo Plex Deep Remix).
41. Klas Buller, "Buller In Peace" (Original Mix).
42. Juan Mejia, "On The River" (Original Mix).
43. Maceo Plex, "Your Style" (Original Mix).
44. Santiago Garcia, "Collective Girl" (Original Mix).
45. Kitar, "Think In Positive" (Original Mix).
46. 12 Fingers & Agora Rhythm feat Viviane Cruz, "Girassol" (Soulflower Vocal Mix).
47. Josh DaFunk & Kristina Vixn, "Deep Piece" (Original Mix).



To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


Share this mix around on Facebook if you like it. Show me that there's a good audience for this kind of mix!



I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Monday, October 24, 2011

This Is Our Dream House, Volume 01

A few months ago I was asked to play a deep house set in Las Vegas. I enjoy deep house, but I rarely play live sets in that style as a DJ. However, that show went well, and I got a phenomenal amount of positive feedback about the set after I posted it online. Especially important was the fact that Marc Carnes, a former room-mate of mine (and the foremost deep house expert that I'm close friends with) gave it his stamp of approval.

I was talking to him afterwards about the set, and I decided that I'd like to share more of this kind of music with my DJ fans. So I've decided to start creating a deep house mix series. It's going to be an ambitious project. I'm probably only going to release a new mix about once every two months, but each mix is going to be four hours long, suitable for an evening of relaxing and enjoying the music properly.

I've decided to call this mix, "This Is Our Dream House." That's partly because the mix is a variety of house music, partly because deep house is often dreamy, and partly because I found a really cool graphic with that exact title to use for the cover, courtesy of Sam Brown at the Exploding Dog website. As my regular fans know, I'm a long-time fan of his art.




For those of you who aren't normally into EDM (electronic dance music), you might be curious to know the differences between my regular style of progressive/tech-house and this deep house mix. Actually, there aren't always a lot of obvious differences, because I lean a bit more towards the techy side of deep house than the pure organic stuff. So at first, this might just sound a bit like my usual style, but slower. But that would be far from accurate - the deep house in this set can be identified by a few significant differences. First, the instrumentation is often jazzier, ie. there will be Rhodes or Wurli keyboards, more horns, brass, more clean guitar sounds, and more jazzy/bluesy vocals. Also, the tempo of this set is down around 118-120bpm, whereas my mainstream club sets are usually around 128bpm and my radio shows are usually 131-134bpm.

When I played in Las Vegas, my set was a bit disjointed, because it was a fairly last-minute booking and I didn't have time to get to know the music well. Programming is the most important thing when it comes to DJ'ing. Sure, mixing tracks properly makes a DJ sound better, but programming involves picking out good music to start with, and then coming up with a suitable flow. For the Vegas set at the Castles, I had good music, but my flow was fairly random. At least with this mix, I was able to think carefully about the order of the tracks that I used. Equally important, while I cut out a lot of the quiet sections and added extra drums for the Castles set (which seemed more appropriate for a live room), with this mix I'm leaving the tracks almost entirely unchanged except for a few select edits. You'll hear quieter passages in this mix too, not just the steady beats. But a side note for the audio engineers out there: I did compress the mix in Cubase at a pretty high ratio of 3.0, with makeup gain to bring it to -2 dB final, to give a more consistent volume for listeners in cars and other distracting environments.


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


Here's a track listing:

01. Downtown Sober, "Feel" (Original Mix).
02. Tom Middleton, "Cicadas" (Maya Jane Coles Remix).
03. JUST2, "True Or False" (Original Mix).
04. Riviera Traxx, "Love" (Original Mix).
05. Jayden San, "Dreaming Days" (Hille Remix).
06. Sinan Kaya, "Sunset Glow" (Original Mix).
07. Timewriter, "Revealing The Sound" (Milton Jacksons Dark Energy Remix).
08. Master H & Alice Orpheus, "I Am A Drifter Who Can't Let Go" (Peaktime Perspective).
09. Addme Collective, "Lazy World" (Original Mix).
10. BK Duke & Yves Murasca, "Did You Know" (Karol XVII & MB Valence Loco Remix).
11. Inxec & Mark Chambers, "O So" (Maya Jane Coles Remix).
12. JML, "Into the Wild" (Peter Horrevorts Kangaroo Tool).
13. Huxley, "Take No More" (Original Mix).
14. Rauschhaus, "Wir Tanzen Immer Noch" (Original Mix).
15. Manuel Arce, "7 Reasons" (Satour Remix).
16. Marco Bocatto, "Streamline" (Original Mix).
17. Alvaro Martins, "Disco Speech" (Original Mix).
18. Chymera, "The Rumours Of My Demise" (Original Mix).
19. Valentin De Moreda, "Yeeeh" (Original Mix).
20. Tracey Thorn, "It's All True" (Martin Buttrich Remix).
21. Pat Foosheen, "A Year In The Life" (Original Mix).
22. Deep Mind, "True" (Original Mix).
23. Miguel Campbell, "Something Special" (Original Mix).
24. Lovebirds feat Stee Downes, "Want You In My Soul" (Original Mix).
25. Sinc & Daniel Sanchez, "New Day" (Original Mix).
26. Allan Zax, "Just This Night" (Morning Re Edit).
27. Maya Jane Coles, "Bubbler" (Original Mix).
28. Maceo Plex, "Can't Leave You" (Original Mix).
29. Milos Maricic, "Another Day" (Original Mix).
30. Onur Ozman, "Hypnotic" (Original Mix).
31. Kolokol Production, "Ili" (SoundSAM Pianokoly Remix).
32. Astraglide, "Inner Soul" (Original Mix).
33. Mario & Vidis feat Ernesto, "Changed" (Original Mix).
34. D8M, "Loveschr" (Original Mix).
35. Clockwork CW, "Its You Again" (Lee Foss Meets Robert James Remix).
36. Master H & Geoffrey Secco, "Stabs Call" (Jam Remix).
37. Kitar, "A Good Day" (Ivan Sanchez ES Remix).
38. Teva, "I Wanna Be" (Original Mix).
39. Yordee Lucero, "Situacio Personal" (Original Mix).
40. Luis Moralez, "The Prophecy" (Original Mix).
41. Andrey Ultravision, "Red Sunset" (Original Mix).
42. Luca Marano, "Oh Set Me Free" (Jef K & Gwen Maze Remix).
43. Mateo Ochoa & Brayan Sanchez, "Sex On The Beach" (Original Mix).










---------------------------------------



I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca

Tuesday, August 9, 2011

Mix: Bolivia, "Live at the Las Vegas Castles, 2011-08-06"

This past weekend I was in Las Vegas for the annual DefCon computer hacker convention. I've got a lot of friends who go to the convention regularly, and a lot of the people that I travelled to Antarctica with are at the convention every year too, so I ran into dozens of people that I knew. And there are a lot of parties there, so it's easy to find places to play (although I regrettably had to decline playing at the big Sunday night pool party at the Rumor).

I recorded my sets from Friday and Saturday night. I'll post a link to the Friday night set shortly, but right now, I've got the Saturday night set online.





For Saturday night, the regular Ninja Party didn't happen because the main organizer, Barkode, has been pretty sick. That was an immense party last year, and my set is online here if anyone wants to learn a bit more. But because of the situation with Barkode, the Ninjas opted for a more subdued (but still very classy) event at the Las Vegas Mini-Castles. And because of the nature of the event, rather than playing my usual style, I did a four-hour set of deep house.


To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!


Here are track listings for the set. I actually repeated one track (not entirely on purpose), although the backing drums are a bit different the second time I was mixing around that particular track:

01. Agaric, "No Way I Know I Feel" (Axel Boman Remix).
02. Marvin Zeyss, "Next To You" (Maya Jane Coles Remix).
03. Jamie Jones, Hot Natured, & Lee Foss, "Forward Motion" (Original Mix).
04. Noir Haze, "Around" (Solomun Vox Remix).
05. Die Vogel, "Fratzengulasch" (Original Mix).
06. Shlomi Aber, "New York Dreamer" (Alix Alvarez Remix).
07. Danny Daze, "Fall Away From Love" (Original Mix).
08. Maya Jane Coles, "You" (Edu Imbernon Remix).
09. DC Salas, "Peru" (Original Mix).
10. Pattern Select, "Tale Of The Tape" (Cottam Mix).
11. Homework, "Hold Me Tight" (Phil Weeks Remix).
12. Vincenzo & Talking Props, "Seduction" (Jimpster Remix).
13. Laid Back, "Bakerman" (Soul Clap Remix).
14. Maya Jane Coles, "What They Say" (Dyed Soundroom Remix).
15. Kollektiv Turmstrasse, "Heimat" (Robags Turmkolle Rekksmow).
16. Solomun, "Love Recycled" (Original Mix).
17. Danny Daze, "Your Everything" (Original Mix).
18. Sebo K, "Mr Duke" (Original Mix).
19. Kollektiv Turmstrasse, "Heimat" (Robags Turmkolle Rekksmow).
20. Thugfucker, "Disco Gnome" (Tale Of Us Remix).
21. Christophe, "The Force" (Julio Bashmore Piano Mix).
22. Maceo Plex, "Falling" (Original Mix).
23. Brigante, Ali Love, & Luca C, "Different Morals" (Clockwork Remix).
24. Nick Curly, "If U Like" (Original Mix).
25. AFMB, "In My Life" (Original Mix).
26. Soul Clap & Art Department, "We Call Love" (DJ Harvey Remix).
27. Laura Jones, "Love In Me" (Original Mix).
28. Sascha Dive, "Kama Kama" (Original Mix).
29. Larse, "The More I Want" (Eivissa Edit).
30. Waifs & Strays, "Yeah Yeah" (Original Mix).
31. Lazaro Casanova, "Morning Confession" (Original Mix).
32. Martin Dawson, "Is This Goodbye" (Tale Of Us Remix).
33. Lovebirds, "Want You In My Soul" (Hot Toddy Remix).
34. Osunlade, "Envision" (Ame Remix).
35. Kings Of Tomorrow, "Finally" (Sandy Rivera & C Castel Deeper Remix).
36. Maya Jane Coles, "What They Say" (Dyed Soundroom Remix).
37. Humate, "Love Stimulation" (Vincenzo Remix).
38. Maya Jane Coles, "Little One" (Original Mix).


Check back here later this week or early next week for the download links for my Friday night set, which was more of an upbeat dance-floor set.


I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca


Saturday, March 26, 2011

Mix: Bolivia, "All About Love And Dancing"

I was just looking through my hard drives and I found a copy of a mix called "All About Love And Dancing" that I did a while ago (April 26th, 2002, to be exact). Most of it is a Deep House style mix, so definitely not the sort of music that I play regularly. And remember that I mixed this on vinyl in 2002, so my mixing skills weren't quite as good as they are today!

Anyway, it's a pretty grooving yet laid-back mix, good to listen to on a lazy Saturday or Sunday afternoon, so I thought I'd swallow my professional pride and throw it up here as a "blast from the past" sort of download. And I guess that the mixing isn't THAT bad. Someone on MixRiot was kind enough to describe the mix as, "Intense, elegant and sensorial." So here's the link:



To download any of my studio mixes or recordings of lives shows, visit:


Then go into the folder called "Bolivia's DJ Mixes & Live Shows"

Thanks for your support!






And finally, here are track listings for the mix:

01. DJ Gabriel B. & Romelus S., "Gimme Love." Written and produced by Gabriel Bouvet & Sylvain Romelus. Warrio for Adult Only Productions. Published by Subscience Ed. Licensed from Subscience. Copyright 2001 airtight recordings. Distributed by Vital.

02. Circulation, "Emerald." [Unlabeled Side]. Written and produced by Circulation for Circulation. Copyright Control Circulation 2001.

03. Z2, "Black Finished Chrome." Written and produced by Rich Mowatt and Andy Bury for Solar Stone Productions. Copyright Control. Copyright 2001 Hooj Choons Ltd., Distributed by Vital.

04. Silvio Ecomo, "Standing." [Jamie Anderson Remix]. Written and produced by Silvio Ecomo. Remix and additional production by Jamie Anderson at Artform. Published by Club Music Publishing. Licensed from BPM Dance, the Netherlands. Copyright 2000 Hooj Choons, Distributed by Vital.

05. Celeda, "The Underground." [John Creamer & Stephane K. Remix]. Produced, mixed, and arranged by Peter Rauhofer for Unique Productions. Written by Victoria Sharpe & Peter Rauhofer. Licensed from Star Sixty Nine Records. Superior SUPR0101-6.

06. Circulation, "Aqua." [Labeled Side]. Written and produced by Circulation for Circulation. Copyright Control Circulation 2001.

07. Parks and Wilson, "Drum Parade." [No UFO's / Parks & Wilson's Berlin Mix]. Written and produced by Michael Park and Michael Wilson. Represented by Red Parrot Management. Engineered and mixed by Nic Britton. Published by Peermusic (UK) Ltd. Copyright 2000 Hooj Choons Ltd., Distributed by Vital.

08. 16B feat. Morel, "Escape (Driving to Heaven)." [Francisco Savier Remix]. Written, mixed, and produced by Omid 16B Nourizadeh. Recorded at Alola Studios 2001. Vocals written, performed, and produced by Richard Morel at Pink Noise Sudios, USA. Morel appears courtesy of Yoshitoshi Recordings. Remix and additional production by Francisco Savier. Recorded at Studio 9, Brixton. Francisco Savier appears courtesy of Eve Records UK. Published by Alola Music / Westbury Music Ltd. / Outsider Music (ASCAP). Copyright 2001 Hooj Choons Ltd., Distributed by Vital.

09. Jason Downs, "Cherokee." [John Creamer and Stephane K Remix]. An original sound recording made by Zomba Records Limited. Copyright 2001 Zomba Records Limted.

10. Killahurtz, "West on 27th." [A Tribe Called KHz Mix]. Written by M. Park, N. Britton & L. Whitney. Produced and Mixed by Killahurtz at Midi Room Studios, UK. Published by Peer Music Uk Ltd. Copyright Control. Copyright 2000 Hooj Choons Ltd., Distributed by Vital.




I'm Jonathan Clark, known online as DJ Bolivia.  Do you want to learn more about DJ'ing and music production?  If so, visit:



If you happen to enjoy techno tracks, most of my tracks are available as free downloads from this link:



Thanks so much for visit, and for your support!  I really appreciate the fan base that I've been able to build up over the years.

Also, if you want to visit any of my other sites, here are a few links:
    YouTube:  youtube.com/djbolivia
    SoundCloud:  soundcloud.com/djbolivia
    Blogger:  djbolivia.blogspot.com
    Main Site:  www.djbolivia.ca