This mix can be downloaded as part of an archive of all 28 of DJ Bolivia's available recordings of live shows, from the following Google Drive link:
The recordings are compressed as a RAR archive, which can be opened natively in Windows. If you're using a Mac, you can use a free utility to open the RAR (popular examples are "The Unarchiver" and the "UnRarX" app). The password to open the archive is simply 'bolivia' and the size of the download is 5.6 gigabytes. If you have problems downloading this archive from the above Google Drive link, you can email DJ Bolivia at email@example.com for an alternate download link.
Additional information about finding any of DJ Bolivia's older mixes can be found at this link:
Thanks for your interest in these old historical mixes!
The set is about 77 minutes long. I actually played about fifteen minutes longer than that, but I cut the last couple songs out from the recording so it would fit onto a CD, for those of you who listen to mixes in CD players instead of on mp3 players or on computers.
Here’s the track listing from the set:
01. David Jones & Aqua Diva, "Thriller."
02. Electrixx, "Tetris."
03. Creamer & K, "Forget The World."
04. Sandy Rivera & Andy Daneill, "Whatever."
05. Jean Elan, "Killer."
06. Basement Jaxx, "Raindrops."
07. Mark Ronson, "Oh My God."
08. Reead, "Nobody's Innocent."
09. Bailey & Fauvrelle, "Pushing Beatz."
10. Chris Scott and Dmitry Bobrov, "Too Much Is Not Enough."
11. Dextro, "My House Is Your House."
12. DJ Wope, "My Generation."
13. Heaven & Earth, "And Let's Disco."
14. Leron Yves Eaux and Luke Star, "Fashionized."
15. Felguk, "All Night Long."
For people who were at the party and who are wondering what the last tracks (not included on the download mix) were, I finished the set with:
16. Levan, "Miau."
17. Milk & Sugar, "Let The Sun Shine."
You'll notice that I didn't list the exact remix that I used for each track. That's because none of them are conventional remixes. I've started taking every track that I play in sets and doing a "Bolivia's Edit" on the track. I usually cut out the major breakdowns entirely, to keep the dance floor moving. Sometimes I mix and match between a couple different remixes of a particular track. For mid-volume breakdowns, I often increase the volume a few decibels. I add one or two effects throughout the track, or drop-outs on key beats. And then finally, I boost with a hard limiter so the volume ends up being fairly consistent throughout, even through the breakdowns. All in all, that keeps the dance floor a lot more aggressive and energetic, and if I ever want to give the dancers a quick break, I can reduce volumes on breakdowns on the mixer. I find this keeps things fresh and higher energy. I'll keep a few originals with breakdowns in my crate, so I can play to a lower energy level early in the set if necessary, or so I can give the dance floor a real break late in the night, but 90% of the tracks that I play are ones that I've bastardized prior to the show.
Please email the link to any of your friends who might like listening.